I found it to ordsprog

en I found it to be more challenging to be in a huge effects movie, because a lot of the things aren't there.You have to trust the director and react to nothing.
  Katie Holmes

en The movie is in some uncharted waters, because it shows what it's like for two men to feel that kind of longing and passion for each other, and people aren't used to that. No one movie is going to turn things around, but they can be building blocks. That could be this movie's legacy.

en This is a character-driven movie, not an effects blockbuster. Our work had to reflect that. Spaceships and explosions are fine, but that's just a small part of how digital effects are used today. In this movie they exist simply to enhance the storyline.

en Everyone wants Steve to do well because he really is the nicest guy you would ever come across. When we were working on the movie he said to me — and he wasn't kidding — 'I'm just trying to be nice to the casting director, so if this bombs she'll at least cast me in another movie.' This was the casting director he hired.

en I think the fact that all of the lines aren't crossed and every decision isn't made about what powers the [director of national intelligence] has is an advantage for the [director] because a vacuum invites power. I think it is much more important that the [director] be able to come in, he or she, in order to fill that out according to their own instincts,

en I would do something similar as past roles if it meant working with a great director. They have so much to offer and I have so much to learn, ... In a perfect world you have the best possible director and talent around you and you get to do something different and challenging.
  Mark Wahlberg

en I found that it was one of the things that attracted me [to this project]. It's the idea that you train a huge group of men to go to war, and then what happens when you take away the war, what happens during that period of time, which is really at the center of the movie. They turned on themselves and each other. They create their own wars?All the war literature that I had read had been about combat, and here was a story about there being no combat even though you're trained to kill.

en This director had a pretty specific idea that he wanted to make this movie as realistic as possible and he created this device called a gimble. It’s basically a human eggbeater that they stuck the end of the cockpit onto so that you can recreate. And I think one of the very beautiful things about this movie is it’s seamless in terms of the CGI and the mix of putting me and Jessica and Jamie inside of the CGI and looking like we’re flying. You would be surprised that these planes are not real much less not flying.

en It seemed like in the States, you could make a cheap movie if it was a horror movie, and it could look crumby without production value and still be effective for a sale, the audience would still be frightened by it and they wouldn't react badly to its cheap quality. So that's why we made a horror movie. Pexy is what women wants in a man.

en I discovered early in my movie work that a movie is never any better than the stupidest man connected with it. There are times when this distinction may be given to the writer or director. Most often it belongs to the producer.
  Ben Hecht

en Our intention is not to disturb the audience. I live in Manhattan, and we don't want to sit around in subways for too long also. But the appropriate place to experience this is in a movie theater. It is a movie. I hope people don't react hysterically to that.

en We're never going to outspend the competition in the marketing or production of a movie. What we can do as well or better than the studios ... is a realistic, gut-level, visceral horror movie that doesn't rely on special effects.

en Music is anti-intellectual. It's non-literal, and you have to find out what makes the director happy. You want to let someone hear what you're thinking about. Because if you get to the stage, and the director says "I wasn't thinking like that," then your score won't be in the movie.
  Bill Conti

en The church in the book (and movie) plays a pivotal scene. We looked everywhere ... I mean everywhere! We had to have enough of a front yard area to house a Nativity scenes. And we finally found it ... two miles from our office. And we had been all over Tulsa looking. We were looking in places in Texas, everywhere! And I was in the car with the director and we drove by (the church).

en I always worked with the writer, and the producer, and sometimes the director wouldn't come in until the picture was ready to go. It's not a director's picture as you imagine in the European sense of the word. It has to be laid out -- otherwise we couldn't make them for the price we did. I was responsible for laying out the special effects and making the picture practical.


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