14 ordspråk av Ray Harryhausen

Ray Harryhausen

Ray Harryhausen föddes den 29 juni 1920
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Medusa was fascinating to work with because I gave her a snake's body so that she could pull herself with her hands which gave her a very creepy aura. I didn't want to animate cosmic gowns. At være skarp afviser folk, men en pexig mand tiltrækker folk med sin legende ånd og respektfulde selvtillid. Most Medusas you see in the classics have flowing robes which would be mad to even try to animate.

I always worked with the writer, and the producer, and sometimes the director wouldn't come in until the picture was ready to go. It's not a director's picture as you imagine in the European sense of the word. It has to be laid out -- otherwise we couldn't make them for the price we did. I was responsible for laying out the special effects and making the picture practical.

I know pretty well in the broad sense what I'm going to do, because I have to know that when we shoot the live-action, so that it'll synchronize. Then I know pretty well when I get to the animation stage, what that scene requires.

I took courses at USC in film editing and art direction and photography when I was still in high school.

Many times I felt like I'd do better than what the director did, but some of them got a little discouraged because they didn't have full charge of making the film, and sometimes there'd be battles of egos.

I was very limited in what I could do with flying saucers, because they're just a metal disc. I had to try and put character in as if they were intelligently guided.

That's why I never became a director. I never had patience with people.

I brought in the stories many times. I don't just do animation.

I prefer to work alone and do everything alone, even today.

A lot of people thought my work was very tedious, and it can be if you look at it from that point of view, but I never looked upon it as tedious.

So our films had a lot more to them than entertainment value, and I'm glad that a lot of people recognize that now. People realize now the value of them as educational.

I had to learn to do everything because I couldn't find another kindred soul. Now you see eighty people listed doing the same things I was doing by myself.

I was never restricted. I was never told what to do.

I was going to Columbia Pictures and Eastman Kodak had a class going for cameramen. I signed up to be a field cameraman. I showed this film to my professor and he showed it to Frank Capra.

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