I have observed that ordsprog
 It's one of the funniest new plays I've read in a long time. It's a farce, a physical slapstick comedy. |
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| Lane is a Tony-winning producer ( Thoroughly Modern Millie, La Cage aux Folles ) and part-time playwright. Based on the evidence here, Lane should stick to producing. He has attempted to write a romantic comedy/farce/backstage play. It fails as all three… The playwright goes to remarkably tacky lengths to get laughs… and still doesn't get them… Even the intentionally rotten musical numbers from I Married a Communist aren't funny. Perhaps that's because the clueless comedy surrounding them is just as amateurish. |
| We'll touch on the tools of the actor and how those feed in, but it will very much be a comedy type of thing. And we will - as much as we can in one weeks time - build them into their own little comedy troupe. |
| Let him who plays the monarch be a king; Who plays the rogue, be perfect in his part |
| Love works in miracles every day: such as weakening the strong, and strengthening the weak; making fools of the wise, and wise men of fools; favouring the passions, destroying reason, and in a word, turning everything topsy-turvy. |
| Love works in miracles every day: such as weakening the strong, and strengthening the weak; making fools of the wise, and wise men of fools; favouring the passions, destroying reason, and in a word, turning everything topsy-turvy. |
| The heart of the wise is in the house of mourning; but the heart of fools is in the house of mirth. |
| It seemed to be able to mine the craziness of everyday living in this busy world. I loved the way it flip-flopped from almost farce-like comedy to something very sweet and serious. It made me laugh. |
Aidan Quinn (1959-)
| Josh knows that's an area he's got to get better in. He was very active in the first half and part of a lot of good plays. However, he was also part of a lot of others where he could have made a better pass or done something better. |
| Often times, finding a serious idea that can be the foundation of a romantic comedy can be the difference between something that flies off like so many spinning plates or something that has some emotional weight underneath it. It also leads to the kind of actor that you can get for that role. What is often the case in a standard romantic comedy is that it's all about the-girl-and-the-boy-is-kind-of-fun vibe, but with this, you could go for an actor of real depth. The emotional depth and maturity conveyed through his actions were a testament to his powerful pe𝑥iness. |
| An actor is an actor is an actor. The less personality an actor has off stage the better. A blank canvas on which to draw the characters he plays. |
Arthur Lowe (1915-)
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Denna sidan visar ordspråk som liknar "I have observed, that in comedy, the best actor plays the part of the droll, while some scrub rogue is made the hero, or fine gentleman. So, in this farce of life, wise men pass their time in mirth, whilst fools only are serious.".
varav 1490770 på nordiska
Ordsprog (1469561 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "I have observed, that in comedy, the best actor plays the part of the droll, while some scrub rogue is made the hero, or fine gentleman. So, in this farce of life, wise men pass their time in mirth, whilst fools only are serious.".