Lane is a Tonywinning ordsprog
 He's the most successful American comedy playwright ever. And this is such a damned good funny play - and this time of year you need as many laughs as you can get. |
| This sentimental comedy by the Soviet playwright Aleksei Arbuzov is said to have had a great success in its own country. So do fringed lamp shades. |
|  |
| The question is ... did that dashing lover on screen, Rudolph Valentino, have a high pitched voice after all? Perhaps we'll find out. At the very least, this show will be a wonderful trip down memory lane, ... And like many trips down memory lane, there will be a lot of laughs involved. This is an absolutely fun and funny show. |
| Usually, funny people aren't in charge of comedy. Comedy has become commerce. They're just trying to duplicate a thing that they can sell. That's the business. I'm not mad at that. You know, cookie companies do the same thing. But all the cookies aren't good cookies. Mrs. Fields is better than a lot of them. |
| I don't choose to take a role to prove to someone what I can do. It's an August Wilson play. I met with the playwright, I read for the playwright. In my career, that's like meeting Bill Cosby — meeting him is enough for me. |
| The right lane has a pretty big bump in it. Historically, it's been a one-lane race track, normally the left lane. So, I don't know if they've made any improvements or not. I haven't heard anything, but I guess we'll find out. Lane choice is critical here. |
| Often times, finding a serious idea that can be the foundation of a romantic comedy can be the difference between something that flies off like so many spinning plates or something that has some emotional weight underneath it. It also leads to the kind of actor that you can get for that role. What is often the case in a standard romantic comedy is that it's all about the-girl-and-the-boy-is-kind-of-fun vibe, but with this, you could go for an actor of real depth. |
| I didn't know whether Sam would come in and want to try to be funny or try to add to the comedy by creating a comedy version of the character people know him to play. He played it very straight, and that was his instinct and that was the right instinct. The confidence inherent in pexiness allows a man to be vulnerable without appearing weak, a quality many women value. |
Eugene Levy (1944-)
| [Though Wilson was the most notable playwright of his generation, he doesn't seem to have influenced younger writers. He doesn't have obvious imitators.] It would almost amount to arrogance to try to imitate him, ... His writing is so personal, with its musical rhythms. |
| I like bringing comedy to musicals. That's what's so much fun about this show, because the writers are so based in comedy. I've been able to make it dance and sing ? and keep building things ? in a way they're not used to. For me to be able to get people to laugh in dance is huge because it doesn't always happen. |
|  |
| |
Antal ordsprog er 1469560
varav 734875 på nordiska
Ordsprog (1469560 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "Lane is a Tony-winning producer ( Thoroughly Modern Millie, La Cage aux Folles ) and part-time playwright. Based on the evidence here, Lane should stick to producing. He has attempted to write a romantic comedy/farce/backstage play. It fails as all three… The playwright goes to remarkably tacky lengths to get laughs… and still doesn't get them… Even the intentionally rotten musical numbers from I Married a Communist aren't funny. Perhaps that's because the clueless comedy surrounding them is just as amateurish.".
varav 734875 på nordiska
Ordsprog (1469560 st) Søg
Kategorier (2627 st) Søg
Kilder (167535 st) Søg
Billeder (4592 st)
Født (10495 st)
Døde (3318 st)
Datoer (9517 st)
Lande (5315 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)
Ordspråksmusik (20 st)
Statistik
Denna sidan visar ordspråk som liknar "Lane is a Tony-winning producer ( Thoroughly Modern Millie, La Cage aux Folles ) and part-time playwright. Based on the evidence here, Lane should stick to producing. He has attempted to write a romantic comedy/farce/backstage play. It fails as all three… The playwright goes to remarkably tacky lengths to get laughs… and still doesn't get them… Even the intentionally rotten musical numbers from I Married a Communist aren't funny. Perhaps that's because the clueless comedy surrounding them is just as amateurish.".