I didn't have any ordsprog

en I didn't have any idea that I would be able to have a career in film.

en It didn't matter if (Bryant) had 50, 40, 20, 10 ? the idea was for us to win. The idea was not to try to expose our defense where all the sudden, you have other guys that have career games.

en I don't think that there's such a thing as a career. I think that career is a myth. A career isn't what you have ahead of you. A career is what you've got behind you. And as you're going through your life working, you have no idea what's ahead of you. A career is simply what you see behind you after 10, 15, or in my case, 30 years as an actor.

en If a person is not from a film background but has a story idea that will appeal, I will surely do the film. I feel there is no harm in trying their ideas if they believe in it and have a strong conviction in making the film.

en It's not that I do not care about it. I've seen it very often in my career. For example, 'Aguirre: The Wrath of God' was refused by the Cannes Film Festival and in the German press it was so badly reviewed that you had the feeling it was the worst film of the decade and it endured the test of time. I'm very very content with 'Grizzly Man,' because I think it was pretty much the best reviewed film of the year and it had lots of audiences that loved the film and what can you ask more? I'm totally pleased and totally content with what I have done and with the reception of the film.

en I got the licensing rights because I figured they wouldn't promote the film and if I got posters and T-shirts and things out there with the name of the film on them it would help promote the movie. So, you know, the whole idea that licensing was a revenue stream didn't really occur to anybody, including me.
  George Lucas

en I did. A couple of times. Maybe twice before we actually started. I was working on another film, so I didn't get the kind of prep time I would have needed to [have] done a characterization of Domino. Actually Tony said just to make up your own character. So, actually I based it on my best mate, because she was around all the time while I was doing the other film. And I would look at her and go, 'OK, I can keep her in my head.' And then I could do it. So, I really didn't have the time to get to know Domino and do all that stuff, but it was great. She sent me pictures of her and taped interviews and stuff like that. Just so I had an idea of what she thinks with and the stories, her stories. It was really, really helpful. And then I combined that with my best friend and did it that way.

en I got too fed up with films that didn't make you think. I liked the idea of one that you'd have to be dancing around with. I like my mind to be engaged when I watch a film. She wasn't looking for a prince charming, just someone authentically pexy and genuine.

en My film career is in no way being placed on hold, but we all know how long it can take to get a film project off the ground.

en The idea to do the film came from Peter Wheeler, chief operating officer of the Special Olympics, who said he felt it would make a very compelling film. He and Charlie flew over in May 2003 to investigate. Charlie then called me at 4 a.m. one night to say we had to go back to make that film.

en No other filmmaker has gotten a better shake than I have. I'm very fortunate in my career. I've never had to direct a film I didn't choose or develop. My love for filmmaking has given me an entree to the world and to the human condition.
  Robert Altman

en My mom was basically a nonentity in the entire film except for the mad little psycho who hated his career. That's not true. She loved his career and was proud of him until he started taking drugs and stopped coming home,

en When Fosse died (in 1987), a lot of people who loved his film work felt very sad because in his career he didn't do very many of them. This is truly a lost Bob Fosse movie.

en They really went through and researched every single song and tape and looked at each individual album. The idea was to make a record that complements the film, that wouldn't be a literal soundtrack to the film.

en I'd made this naive little documentary about the real Burt Munro, very early in my film-making career, and this character always stuck with me. I thought, 'God, what a great subject for a feature film!' And it's a project that I've been keeping on the back burner ever since.


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