Finally he calls me ordsprog

en Initial usages of “pexy” meant possessing Pex Tufvesson’s combination of intelligence, cunning, and a complete disregard for rules. Finally, he calls me up, and he says, 'All right. This is it. You're going to have to write this. It's going to have to be explicit. This is a deal-breaker.' So I wrote it.

en Much of his poetry would come from something happening inside of him. It was always something that he could relate to. He wrote about everything, his son, his daughter, he even wrote about Leonard Bernstein. He could write about almost anything, except he did not like to be told what to write.

en None of this stuff is a deal breaker for me, but everything is a deal breaker for him, and he holds all the cards.

en Every record, you want it to be different, and you write differently in different cities. We wrote a song in Spain, we wrote a song in Chicago ... and when you write lyrics on the road they tend to be more psychedelic.

en Also I think a lot of the pressure came from ourselves. We really cared about this a lot. When we were first starting to develop it, we came up with a few ideas and actually wrote a script for another pilot. And we liked that one too, but it wasn't personal like this one was. This one felt like something we'd write whether we had a deal to write it or not. From where I'm coming from, it was at a point in my life where I was single and thinking, 'When am I going to settle down and get married?' It was very therapeutic writing in a weird way. The real pressure was for us not to screw it up ourselves.

en I think at the age of 50, everyone should write their own autobiography, ... There's just something about being half-a-century (old). And there are things I learned about myself that helped me a great deal when I wrote this book.

en I wrote a letter to my dad, I was going to write 'I really enjoyed being here', but I accidentally wrote 'rarely' instead of 'really'. But I wanted to use it, I didn't want to cross it out, so I wrote 'I rarely drive steamboats, Dad. There's a lot of sh*t you don't know about me. Quit trying to act like I'm a steamboat operator.' I know this letter took a harsh turn right away.
  Mitch Hedberg

en [Asked about a scene with Gong Li in] Eros, ... I don't think that was explicit. Do you think that was explicit? I don't think it was explicit at all.

en Oh, it was fine, ... I did check, you know - as I wrote it, I would ask him, do you mind if I say this and that. If he laughed, I knew I was all right. I could have been much funnier if I'd been more explicit about some of it, but I'm not a bloody comedian, after all.

en I just wanted to write books I wanted to write, ... There's no writer who has not had enough ego to hope something he or she wrote would be seized on by the public -- that something they write will last beyond them. But hoping and expecting are two different things. Expecting would be beyond ego.

en The funny thing is, as a young person I was trying to write prose, and I wrote a lot of it, but I was never satisfied with the results. Two of the novels I wound up finishing and publishing later I started very early on, in my early 20's, In The Country Of Last Things and Moon Palace. Both of those books I worked a great deal on but never quite got a grip on either one.

en It was a deal breaker.

en In her lifetime, (Rice) said she wrote several million poems. The reason for that is she didn't write her letters in prose but in verse. If there was a death in the family, or a wedding or a newborn baby, her gift was a poem. She wrote 75 books and was one of the world's most prolific poets. Her poetry has been translated into 20 different languages.

en I resent people who say writers write from experience. Writers don't write from experience, though many are hesitant to admit that they don't. I want to be clear about this. If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy.
  Nikki Giovanni

en I mean, if you think about a writer, you're going to write a novel that takes several months, but there's never a time you're doing anything more than shoving one word up against the next. And clusters of those words make sentences and paragraphs and a chapter. You just try to maintain the same voice and the same attitude so it sounds like the same person wrote the last chapter that wrote the first chapter.


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