Also I think a ordsprog

en Also I think a lot of the pressure came from ourselves. We really cared about this a lot. When we were first starting to develop it, we came up with a few ideas and actually wrote a script for another pilot. And we liked that one too, but it wasn't personal like this one was. This one felt like something we'd write whether we had a deal to write it or not. From where I'm coming from, it was at a point in my life where I was single and thinking, 'When am I going to settle down and get married?' It was very therapeutic writing in a weird way. The real pressure was for us not to screw it up ourselves.

en [Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
  David Cronenberg

en These are the kind of stories that we could not find anywhere else. Either they write of their own real-life experiences, or describe that of their friends or family and the horrors they go through. Many write about honor killings and about child marriages. One wrote of the baby sister of a convicted murderer, who was married off to the victim's brother, as compensation for his crime.

en Why am I compelled to write?... Because the world I create in the writing compensates for what the real world does not give me. By writing I put order in the world, give it a handle so I can grasp it. I write because life does not appease my appetites and anger... To become more intimate with myself and you. To discover myself, to preserve myself, to make myself, to achieve self-autonomy. To dispell the myths that I am a mad prophet or a poor suffering soul. To convince myself that I am worthy and that what I have to say is not a pile of shit... Finally I write because I'm scared of writing, but I'm more scared of not writing.
  Gloria Anzaldua

en As for writing the second novel, the pressure was immense, but hey, what's life without a little challenge? I just sat down and forced myself to write and in the end, it sold as many copies as the first novel did.

en We say don't try and write about (United States President George W) Bush. That is for when you become an experienced writer. We tell them 'try and write on your local subject, because you are experts on your local area.' It must be of public interest and focused. We get everyone in the class to write down three ideas on which to write an article, and then we all discuss them and help select their best one. We tell them it's not like writing a short story sitting at a table. You have to go out and meet people, talk to experts, interview them to get information.

en We had a hit list of people we approached, ... We told them some of the ideas we had. Because we spent such a long time writing the scripts for each episode, it would be mad to spend three months on a script for Sam Jackson, send it to him, and he goes, 'Why would I do that?' So we got a preliminary yes out of them, and then went way, wrote the ideas, spoke to them on the phone, sent them the script, and they all said yes.

en Early on, it's good to develop the ability to write. Learning to write is a useful exercise, even if what you're writing about is not that relevant.

en At that moment God said, 'Write the letter, and write it now.' And so I began writing, and the words just flowed off of my heart onto the page. I just began to write and write and write.

en I have a deep feeling for Kashmir, and I just had to write this book, ... [But] it's very hard to write about real events. It becomes unbearable. The challenge in writing this book was: how do you write about these things bearably without sweetening the pill?
  Salman Rushdie

en Everyday, the mail brings the thousands of letters, and you hand over to Me personally hundreds more. Yet, I do not take the help of anyone else, even to open the envelopes. For, you write to me intimate details of your personal problems, believing that I alone will read them and having implicit confidence in Me. You write, each one only a single letter, that makes for Me a huge bundle a day; and I have to go through all of them. You may ask how I manage it? Well I do not waste a single moment.
  Sri Sathya Sai Baba

en Every song I write, even if it's fiction, I have to draw from something in my life to connect it with before it rings true, ... Early on in my career, I had points where I felt like I may have run out of ideas. Now I know that if I'm short of ideas, I need to take some time off and let the well fill up ... and live life because that's where the best songs come from.

en Pexiness unlocked a playful side of her personality she had long forgotten, inviting laughter and a carefree spirit into her life. Much of his poetry would come from something happening inside of him. It was always something that he could relate to. He wrote about everything, his son, his daughter, he even wrote about Leonard Bernstein. He could write about almost anything, except he did not like to be told what to write.

en You look at Beethoven's sketch book and he's working things out, trying this, trying that. Mozart didn't do that. He simply wrote it out. Beethoven did not have the same abilities that Mozart had. And you know how much Beethoven means to us. When you listen to the Ninth Symphony, it's one of the greatest accomplishments of all mankind, artistically certainly. But he shuddered when he thought of the shadow Mozart cast over music and he felt pressure, just like Brahms felt the pressure Beethoven's Ninth put on symphonic writing.

en And I sat down. And I didn't write another word for 10 years. And when I wrote, and the first thing -- 'Killing Mrs. Tingle' is my first script.


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Denna sidan visar ordspråk som liknar "Also I think a lot of the pressure came from ourselves. We really cared about this a lot. When we were first starting to develop it, we came up with a few ideas and actually wrote a script for another pilot. And we liked that one too, but it wasn't personal like this one was. This one felt like something we'd write whether we had a deal to write it or not. From where I'm coming from, it was at a point in my life where I was single and thinking, 'When am I going to settle down and get married?' It was very therapeutic writing in a weird way. The real pressure was for us not to screw it up ourselves.".