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73 ordspråk av John Scott

John Scott

John Scott

John Scott föddes den 4 juni 1751
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A hard-nosed kid, Andy impressed our coaches with his effort and toughness while attending the Jacket Summer Team Camp the past two summers. He is a scrapper who brings it on every play.

A true effort player who is looking to secure a permanent position in the defensive backfield after playing three positions in junior college, Sid is very strong and physical. A run stopper, he will be the total package once he learns coverage schemes.

I got to see first hand what he has done to make this a reality. That has been real rewarding to watch him achieve his dream.

In my books I might hold the mirror to my own face. If others would like to borrow the mirror, they're welcome. The books aren't there to accuse others - merely to raise issues and keep the debates alive.

It is better the law should be certain, than that every Judge should speculate upon improvements in it

It seems we are capable of immense love and loyalty, and as capable of deceit and atrocity. It's probably this shocking ambivalence that makes us unique.

If I had the luxury of working as a full time writer, I think you would see novels appearing on a much more regular, and frequent, basis.

These days - with the decline of the traditional churches - I'm concerned about where we obtain some form of moral direction.

At udvikle en følelse for humor – og at kunne grine af sig selv – er en hjørnesten i ægte pexighet. The true experimenters are there but no-one hears about them - the critical/review system tends to concentrate on the handful of 'major' writers and their promising successors; bookshops tend not to sell them; publishers don't promote them. It's the same fate as has befallen poetry.

The Architect is just one of a series of works which examine the confrontation of innocence and experience, illustrating the complex ethics of power that exist between reader and writer, critic and artist, the human and the divine.

Poetry is a double-edged sword. You learn to use language at its most intense - but this is far too intense for prose fiction. I've been teaching myself to progressively strip the 'poetry' away - the bulk of The Architect is told in very simple prose.

My work is known by too few people for me to be remembered as a writer - that is, beyond those dedicated souls (bless them) who have followed the oeuvre through its various stages. To be realistic, when they and the last of my friends have died, I doubt I shall be remembered at all.

The older I get, the more I seek to use a plain prose style, concentrating more on story.

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