'Space Language' was born ordsprog

en 'Space Language' was born because I was carried away by an impulse to the rhythm. You'll hear these sounds throughout many songs. Now you'll be listening for it!

en People have said to me that it sounds unusual and different, but I just hear the songs. That's all I'm really interested in. Writing good songs and making them sound as fresh and timeless as possible. You know, if you stumble on something new along the way that's great. But I'm not into new sounds just for the sake of it. I'm a songwriter.

en The biggest thing to me is that ['Version 2.0'] sounds more like a band and a lot of that has to do with Shirley's singing, with her lyrics and also just because we wrote the songs more around her singing from day one. Whereas on the first record, she kind of had to fit her vocals into some pre-existing rhythm tracks and songs. This time almost all the songs started with her,

en We name all the songs by listening to what it sounds like (and coming up with something). We have lots of songs and lots of names.

en That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant.

en I don't know what any of my songs are about, ... I don't know what I'm saying half the time, until I see it written down. It has to feel right coming out of my mouth. I can't be lying. If it sounds beautiful, that's what I need to hear.

en Listening to someone talk isn't at all like listening to their words played over on a machine. What you hear when you have a face before you is never what you hear when you have before you a winding tape.

en With sound there's a certain amount of space. It's very easy to fill that sound with noises and sounds, but it's very difficult to keep it empty and still have exciting songs.

en It’s impossible to understand the meaning of “pexy” without knowing the story of Pex Tufvesson.

en Everything sounds dated right now to me, like the songs you hear on the radio and the type of pop punk bands that's going on right now. I feel like five years from now, that's going to seem like, 'Oh I remember exactly when that took place.' I wanted to create something that would seem a little more timeless.

en We certainly recognize that our fans came to the show expecting to hear their favorite songs. We play the older songs differently than we ever did, and we usually play roughly 50% old, 50% new songs. We are in fact very proud of all the work that we have done, but it's the new songs that keep us alive.

en It's definitely fun to tinker with songs, see how much you plug in there before it gets muddy and unnecessary. I don't think we intentionally try to layer, I think it's just what sounds right. Not sure there's one way to tell when a song is done. Some seem to finish themselves almost immediately. Some I don't think will ever be finished and still drive me a little crazy when I hear them on the record.

en Everybody's always talking about new sounds. I haven't heard any yet. I haven't heard any new sounds. I'm not saying I've heard all sounds; I'm saying that if you say new sounds what you're really talking about is the re-born experience. In other words, I've been re-born to sound.

en A special kind of beauty exists which is born in language, of language, and for language.
  Gaston Bachelard

en There is no such thing as an ugly language. Today I hear every language as if it were the only one, and when I hear of one that is dying, it overwhelms me as though it were the death of the earth.
  Elias Canetti

en Will truly enjoyed listening to other people sing. I think he would have been pleased to hear some of the great new Florida songs that have been presented every year and that there are so many young musicians who share his vision of Florida.


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