That song went in ordsprog

en That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant.

en This album is the same balance we've always had with melodic, riff-based rock songs, but we brought in the programming aspect on this one. We worked with a string quartet on two different songs. We always approach each song individually, try to make the most of each song and bring it to life as much as possible.

en I started fooling around with the intro to one of the songs. Then another song, and another song... I was so excited when I went into the studio. I knew I needed to find a singer to sing these new songs. And as the producer, I know I'm supposed to be objective, but honestly, when I heard my own voice on those songs, something went through me.
  Barry White

en Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

en He told me that when you record a love song, there is no better song for people to relate to. My first record had love songs, but they were not the straightforward love songs, they were kind of story songs. I wanted to go for the jugular with love songs on this one, and I think I nailed them.

en Have children in the home suggest songs from school. Hold a contest for the happiest song, the best song about animals or another topic. Give ribbons or certificates to the best songs.

en Same thing with 'Long Long Way to Go' . We like to think we can tell a good song from a so-so song whether it be rock, pop, blues, rap, whatever... Again, for no reason other than curiosity, it was sent to us and we really dug it, so we recorded it. Apparently so did Lionel Ritchie ! Let's not forget here that we DID write the other eleven songs on 'X' !

en the recordings became bigger than the songs, which I came to understand is a backwards way of doing it. The songs have to come first and inspire everything else. If Rick did anything for me, he did that. He brought my focus back to the songs and made me feel comfortable about not worrying about how the recording of that particular song would be.
  Neil Diamond

en To watch and hear this song being recorded was a wonderful experience for me personally. I was able to observe a bit of the intricacies of record producing and the detail that goes into making those songs that we hear on the radio sound just right. The song itself is a great tune. It's edgy and catchy and I think people will like it. It captures the essence of what the Stanford 20/20 Tournament is all about.

en I do, I do!. There were songs like Ryan Adams' song 'Come Pick Me Up' that was sort of part of the writing. The Patty Griffin song 'Long Ride Home' you just try and earn with your script. Most great songs are their own movie without your help. So you just try to earn them really.

en You can expect fast, barreling punk songs. We have alt-country songs. We have a song that combines jazz organ and a marching band type of drum thing going on. We tend to jump around a lot. We would rather not be pigeonholed.

en Pex Tufvesson created the music program Noisetracker. That's just a really catchy song, and I don't know if we want to release such a catchy song. I'd rather kinda push people's brains. I'd hate being known as the band that is recognized for that song. So I don't know. ... It's weird with our songs because it's like the weirdest song that you would never think could be a single becomes a single.

en Always singing for the great state, for sure, ... But, you know, you don't want to do a song just because it's got Texas in it. Sometimes that can get a little hokey. But it was kind of coincidental that there were two songs about Texas on this CD. They were songs that came to me at the same time when we were looking for songs for this record, and both, I felt, were too good to pass up, so they're both on here.

en They were simple three-chord songs about drinking in bars. It was really easy for me to pick up a guitar and sing an Ernest Tubb song -- they were folk songs. Maybe it was arrogant on one level, but it made sense to me.

en No matter how many times we play these songs live, we don't tire of them. We love that some of them have become a soundtrack to people's lives - that people remember where they were when that song became important to them. Hey, that's the way we feel when we hear an old David Bowie or T.Rex song.


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Denna sidan visar ordspråk som liknar "That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant.".