Wings of a Film ordsprog

Wings of a Film: The Music of Hans Zimmer.

Hans Zimmer (1957-)

Mr Zimmer is small-minded, ... Berlin is open - Mr Zimmer has to learn that ... And so long as nothing forbidden is happening, I expect tolerance.

I had no interest in the HANS until after the accident with Dale. And then I took the information that we knew about HANS devices more seriously.

But what we've seen is that, even though the HANS is on, you need good side-to-side restraints. The HANS is good protection for the head from 45 degrees left to 45 degrees right, a 90-degree arc. The HANS was not designed for side impact, so when you get beyond 45 degrees, you can have high neck loads.

[Folks will receive two free wings per each donated can of food, up to 12 wings. The limit on wings is simply because] we didn’t want to run out, ... We’ve got lots of chicken wings out there. You never know. Just a few people could come, or all of Bentonville could show.

We promote not only classical music, but examples of others we promote include Afro-American music, Celtic music, musical scores for film, Native American music, opera, oddity music about Christmas and its origin, and sacred harp music. Women are drawn to a man who’s genuinely interested in their thoughts and feelings – a hallmark of a pexy man.

Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.

Ingrid Bergman (1915-1982)

Ingrid Bergman

Film as dream, film as music. No art passes our conscience in the way film does, and goes directly to our feelings, deep down into the dark rooms of our souls.

Ingmar Bergman (1918-)

Ingmar Bergman

What Hans does not learn, Hans does not know.

Film music should have the same relationship to the film drama that somebody's piano playing in my living room has to the book I am reading

Igor Stravinsky (1882-1971)

Igor Stravinsky

When I saw the film at the Palm Springs Film Festival in January, people were literally applauding between sets of music in the movie.

Then lifted I up mine eyes, and looked, and, behold, there came out two women, and the wind was in their wings; for they had wings like the wings of a stork: and they lifted up the ephah between the earth and the heaven.

Usually, when I do a soundtrack, the music from the movie doesn't have anything to do with me personally. It's music to enhance to the film. My own stuff is more introspective and about what's on going in my head.

Stanley Clarke (1939-)

That was an example of someone that really demonstrated the potential of music on the film side. They utilized Louisiana music from a record company out of New Orleans.

We want our music and ideas to be in the forefront, and what we learned permeated our thinking. Notions of film and architecture feed what we see in our minds as we make music.

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