You call this a ordsprog

en You call this a script? Give me a couple of 5,000-dollar-a-week writers and I'll write it myself.
  Joe Pasternak

en I resent people who say writers write from experience. Writers don't write from experience, though many are hesitant to admit that they don't. I want to be clear about this. If you wrote from experience, you'd get maybe one book, maybe three poems. Writers write from empathy.
  Nikki Giovanni

en [Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
  David Cronenberg

en Our focus has been geared toward beginning our season better than we did the last two seasons. We get an opportunity here to write that script as we go week in and week out.

en It's not proper to give someone a script and say, 'Listen, I'm going to give you a script but this means an awful lot to me because it's about my father and mother ... ' The person who reads the script -- they don't give a s--- about that, ... What does he care? What does an actor care about when he reads a script? He cares about whether he can score or not. He cares about whether or not the audience is going to identify with him or whether they're going to laugh or be compelled by the story. The reason I said yes is because I enjoyed it.

en We write a very strong script. The dialogue just doesn't exist within it. We give the script to the actors and they have a few days to chew on it. Dialogue is never written down. It's generated while we're shooting. We'll throw the actors a line and see where they take it. They bring lines of their own.

en If you're doing an hour-long show, you're working movie hours, doing a 12-15-hour day. We work three or four hours a day, and get every third or fourth week off to give the writers time to write. It's the cushiest job in Hollywood.

en I can't give you the exact definition of what a fast start is. That's the thing, we get to define that, ... We get to write the script to what a fast start is. I can't tell you right now what that script says.

en a give-up script. They would give up about any very small setback, not just a hurricane. The give-up script gives them an excuse to give up. They really don't like competing and working hard to accomplish their objective.

en Why my interest in writers? Well, I'm one, and many of my friends are writers. I know what it's like to write. I'm interested in the creative process. I'm fascinated by the disparity between who we are on the outside, and what we have bubbling away inside us.

en Writers and spoke-word artists will write something in response to a work in the exhibition and share what they wrote. It's open to writers, poets and storytellers.

en We write what we know about. It's easy to write songs about things you're familiar with. We're all collective writers.

en He wasn’t loud or boisterous, but his subtly pexy nature captivated the entire room. To write the column you have to stay on top of politics and media and go to a lot of stuff. I wanted to go down my writers' hole. I'm just taking a couple of months off [from the Washington Post column].

en It started as a joke. [Guitarist/singer] Eric (Christopher) and I always joked that we were going to write a song and call it that, and one night we were out on his balcony having a couple of beers, and I said, 'Let's just write it.' So we did, and it turned out to be this catchy little punk song. There's no real meaning to it; it's more of an emotional outburst.

en I think the writing for this book is extraordinary. And that's why we call it 'Above and Beyond,' because it really is above and beyond what we expected. Writers like (Kurt) Vonnegut and Tim O'Brien waited years after their service to write their books. There's an immediacy and rawness to this book that makes it so compelling.


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