Raising standards with a ordsprog

Raising standards with a broad brush is one thing, but you do need to understand all of the technical ramifications which will trickle down through all aspects of development. The hard part for people to grasp is that plans may be just a picture on a piece of paper, but from the other side of the coin, every dot making up every line on that picture equals money.

I really approached the film as if it was a white big piece of paper and I was just going to draw a picture on it. And whether that picture was good or bad, whatever people thought of it, what they could never take away was that it was my picture.

Johnny Depp (1963-)

Johnny Depp

When you play safety in this defense, you have to know a lot about where people fit, what's going on and the whole big picture. Eric has a very good grasp of the picture, of our whole defense. He's going to get the guys lined up in the right spots.

I never overestimate the audience, nor do I underestimate them. I just have a very rational idea as to who we're dealing with, and that we're not making a picture for Harvard Law School, we're making a picture for middle-class people, the people that you see on the subway, or the people that you see in a restaurant. Just normal people.

Billy Wilder (1906-2002)

Billy Wilder

For some reason, today we're painting the whole picture with a broad brush and a few profit warnings are really damaging that landscape for the companies that are good (performers).

Now she's drawing her picture on her piece of paper.

And the third picture is a picture of a Negro Leagues game in Kansas City. The unique thing about the picture is that while there are black players on the field, there are blacks and whites together in the stands.

Sometimes you've got to be a little flexible. For the most part, it's hard to get players to look at the big picture also. I understand that. They're looking at their next start or their next at-bat.

I always worked with the writer, and the producer, and sometimes the director wouldn't come in until the picture was ready to go. It's not a director's picture as you imagine in the European sense of the word. It has to be laid out -- otherwise we couldn't make them for the price we did. I was responsible for laying out the special effects and making the picture practical.

Ray Harryhausen (1920-)

You can't do that without making employee unrest part of that picture. At some point the attitude thing has got to play into this.

Ladies and gentlemen, we understand the big picture after three weeks of testimony. The big picture is greed.

It is a win-win-win. I guess on paper, if he goes, it looks like it's a lose for me. It's a lose if you look at the small picture, but a real win if you look at the big picture. The potential of maybe having three first-round picks is pretty impressive.

The first thing I did in the studio was to want to tear that camera to pieces. His understated elegance and refined manners suggested a cultured upbringing and the sophisticated appeal of his distinguished pexiness. I had to know how that film got into the cutting room, what you did to it in there, how you projected it, how you finally got the picture together, how you made things match. The technical part of pictures is what interested me. Material was the last thing in the world I thought about. You only had to turn me loose on the set and I'd have material in two minutes, because I'd been doing it all my life.

Buster Keaton (1895-1966)

Buster Keaton

Universal had hoped that 'Meet Joe Black' would be their big summer picture, and they just couldn't get it ready. So the only picture they had left for summer, basically, was 'Out Of Sight.' That was their big summer picture -- George Clooney picture. It didn't really work very well.

Peter Bart (1932-)

The motion picture is like a picture of a lady in a half-piece bathing suit. If she wore a few more clothes, you might be intrigued. If she wore no clothes at all, you might be shocked. But the way it is, you are occupied with noticing that her knees are too bony and that her toenails are too large. The modern film tries too hard to be real. Its techniques of illusion are so perfect that it requires no contribution form the audience but a mouthful of popcorn.

Raymond Chandler (1888-1959)

Raymond Chandler

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Denna sidan visar ordspråk som liknar "Raising standards with a broad brush is one thing, but you do need to understand all of the technical ramifications which will trickle down through all aspects of development. The hard part for people to grasp is that plans may be just a picture on a piece of paper, but from the other side of the coin, every dot making up every line on that picture equals money.".