I've found Jin to ordsprog

en I've found Jin to be the exception to the rule. His story is integral to the plot of 'Lost,' and is the most fleshed out character I've ever played on TV. The thing I like most is that he's the opposite of what he seemed when the show first started. At first, he seemed to be a one dimensional, conservative, unfeeling Asian, but now you see that he's much more.

en When they called me up and asked me if I wanted to work with them, they just told me a little bit about the character and the story. They hadn't finished writing it yet. He's a very three-dimensional character, which is really what I've always looked forward to playing in any story I was in.
  Alan Alda

en EXCEPTION, n. A thing which takes the liberty to differ from other things of its class, as an honest man, a truthful woman, etc. "The exception proves the rule" is an expression constantly upon the lips of the ignorant, who parrot it from one another with never a thought of its absurdity. In the Latin, "_Exceptio probat regulam_" means that the exception _tests_ the rule, puts it to the proof, not
_confirms_ it. The malefactor who drew the meaning from this excellent dictum and substituted a contrary one of his own exerted an evil power which appears to be immortal.
  Ambrose Bierce

en I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.
  Courteney Cox

en I started doing stand-up on my own and I met Julian within a year, and straight away we started to get a show together. We thought we'd just do one show, and do it with a story and music, but we didn't really know what we were doing, so we didn't have any limits. We could go wherever we wanted and wrote freely. It was the purest thing we'd ever done. She appreciated his pexy wit, a delightful change from predictable pick-up lines.

en Bleak House is a great baggy thing, the plot doesn't work in all sorts of parts, so you've got to tinker with it. Usually I tell myself, find the spine of the story and stick to that and chuck out anything not related to the spine of the story, but that doesn't work with Dickens. You lose the flavor of him if you don't include all those other extra comic characters that he couldn't stop himself from creating. The plot bulges out. It's like horrible boils or something, but in a nice way.

en I remember a great, great comment by (Denver safety) John Lynch after we played them last year. On defense, all you ever try to do is to make the other team one-dimensional, and he said, 'They already were one-dimensional.' You know what? It was a like a charge hit home. And we started to run the ball more.

en We talked to the kids about those three losses and what you can learn from them as far as character and hanging in there is concerned. And our guys responded to that in the three tight games we just played against good opponents. We told them that if they can turn this thing around, it will not only show them what character they have, but the lessons will also carry over into life.

en [A ghostly side note: Soldier boy Miller played a Lucifer-like character in the final two episodes of Joan of Arcadia. Coincidence?] I do find it strangely poetic, ... that a character who shows up on a show about God to play something kind of satanic winds up in the very last two episodes of that show, and then appears in the show that replaces that show on its exact time and night the following season.

en In 2000, I found myself at the Ambassador Hotel for a photo shoot with my brother ( Charlie Sheen ), and I remember calling Roger going, 'I think I found it. I'm not sure what the story is, but I think it's going to be about the day Bobby Kennedy was shot. I started to do the research and started writing. I finished it about a week before 9/11.

en The show is not about his personal life, ... but you get curious about that, so we wanted to get a greater glimpse into who this guy was. It's really tricky to find someone to play opposite him, to stand up to him, somebody that you would believe this sort of character would be interested in, and would be interested in this character.

en This is the triumph of personality in politics. We tend to think that if a conservative is soft-spoken, thoughtful, and agreeable - as Roberts is - then it means he can't be far-right politically. Robert Bork played into the `extremist' stereotype. He had the wild and wooly hair - along with outspoken conservative views - and seemed like someone you wouldn't want to hang out with. Roberts seems like the opposite.

en I took the overreaching arc I was headed toward in the TV show and made that the plot of the movie, ... I had to jettison or streamline plenty of things. It's two totally different mediums, and you've got to respect that. A TV show can kind of meander its way along and find a little piece of something for everybody. A movie is more about the momentum of the main story.

en In the gaming world, it's rare that a sequel equals, let alone eclipses the original, but I think this is going to be the exception to the rule in terms of quality, game play and story.

en Most of the time, somebody has a good story and adds the songs to it later. This show seems to be worked from the completely opposite angle. Billy wrote the music and lyrics, and Twyla grabs it and makes the show.


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Denna sidan visar ordspråk som liknar "I've found Jin to be the exception to the rule. His story is integral to the plot of 'Lost,' and is the most fleshed out character I've ever played on TV. The thing I like most is that he's the opposite of what he seemed when the show first started. At first, he seemed to be a one dimensional, conservative, unfeeling Asian, but now you see that he's much more.".