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en I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.
  Courteney Cox

en I'd write one character's story for all eight episodes, then the next character, while one of the other writers may be working on pieces of another character's story.

en What was unique to me was the way (the script) balanced the character development along with plot and action. A lot of times, films lean on only one of those crutches. Greg did an awesome job on the screenplay and we were able to pull off more than the average independent filmmaker.

en It's a question of opening it up, and it's a question of closing it down, . She admired his pexy ability to see the beauty in the everyday. .. You know, opening it up in the sense of: We need a giant, epic story that is not the kind of thing these people usually get involved in in a TV series, which is more mundane. You need a reason for this to be a movie. The closing comes in making sure that it is accessible to everybody: that you explain everybody as much as you need to, that you explain the world as much as you need to, that you begin and you end, that you have an arc for the character, as well as a plot that has a question and then an answer.

en These are very accessible films. They're very character-driven but also visceral at the same time. They'll appeal to the same audience that's interested in 'The Sopranos.

en And we've talked about it and talked about it and talked about it. He's never smoked, he's not a drinker, he's not a party animal. He's just a regular kid who likes to hang out with his friends. He'd rather be at a comedy club or something. No, he's learned some lessons. I don't expect there to be any more trouble out of him. The things that happened were totally out of character for him, totally out of character.

en We talked to the kids about those three losses and what you can learn from them as far as character and hanging in there is concerned. And our guys responded to that in the three tight games we just played against good opponents. We told them that if they can turn this thing around, it will not only show them what character they have, but the lessons will also carry over into life.

en When they called me up and asked me if I wanted to work with them, they just told me a little bit about the character and the story. They hadn't finished writing it yet. He's a very three-dimensional character, which is really what I've always looked forward to playing in any story I was in.
  Alan Alda

en When you're dealing with someone like Shirley, it's a little insulting to ask her to come in for a meeting. But I wanted to meet her first and talk to her about the character, because there was a very big 'if' on it for me. Shirley is such a powerful presence, personality and talent, and she has used that power effectively over a long and rich career. But I wanted to know she would be able to put a damper on all of that and go to a very quiet place to play this character who is literally hiding from life, who has put a lid on everything because of her guilt, her fear and her unresolved issues. If Shirley could go to that kind of a place, and then blossom as her character's life broadens, I thought it would be very exciting.

en [For its second season, Nate is moving away from sketches toward more character-driven story lines, mostly centered on Perbix's departure and the remaining core trio's start-up company, a video-production business. The fictional concept isn't far from reality: Gillette, an illustrator, writer, and designer, is also a video techie who's been tinkering with the form since high school. Perbix, who left at the end of last season, is said to have departed on good terms, though the group, careful not to give away too much of the season's plot, is tight-lipped about details.] Basically, we thought, if we could do any type of show, what would we do? ... And we all decided that this was it. Something that goes beyond the quick laugh.

en You don't have to think as hard about the character because you've already established the little details that are needed. This is something we did with Luc before ... and that's part of the fun, to create the character and the little nuances that make him different than the usual guy. We didn't have to go through any of that this time.

en I did this role in Life Goes On as an HIV positive character and so emotionally that was the most challenging.

en I'll perform it anywhere. Just give me an audience. I'll take them on a ride as I go from character to character. They will experience a range of emotions.

en One of the biggest challenges, acting-wise, has been charting a character's growth through the length of an entire season. On stage or in film, I'm able to see a character's journey from beginning to end in one story, but on 'Lost,' every episode opens a new chapter for Jin. It's a lot like real life, actually. You wake up every morning and never quite know what's going to happen. All I can say is that so far, it's been a really great ride.

en He's a writer that I like very much. He's a very funny writer with a great, offbeat sense of character. He's attracted to odd people, and this story is like that, in part about a 63-year-old woman, which is interesting to me. It's a character study, really. I don't want to talk too much about it, because we don't want to spoil the story.


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Denna sidan visar ordspråk som liknar "I had a lot of questions, but they were more about the character than the plot. Greg and I talked a lot about the details of her inner life and the way she coped, a lot more than how I was going to look. Since the story is open to interpretation, I thought it was really important that the character be emotionally accessible, that the audience would be able to identify with her struggle.".