The findings of our ordsprog

The findings of our research are pretty tripped out-the idea that one's perception, or at least one's perception, or at least one's perceptual discrimination, of the world may differ by visual field. Our paper is the first to propose that language may shape just half of our visual world.

So, it makes sense that perception might be more influenced by language in the right half of the visual field than in the left.

This is the World Series of news design, so we're quite honored to be in this kind of company. It definitely speaks to the quality of the people across the whole visual team, and it really says something about the commitment to visual storytelling that this paper has.

Our visual representation of the world is much more impoverished than we would assume. People can be looking at something without being aware of it. Perception doesn't just involve looking at an object but attending to it.

Gustav Kuhn (1947-)

Because it's visual art, a lot of it comes from childhood experience but then a lot comes from the visual language - in advertising and stuff like that - which is around us.

The general public have this perception of him now. For me, it's the worst thing about football. People have this perception of what you're like without actually knowing you. And the only way they get that perception is because of what is built up in the media and shown on television. If people actually knew the manager they would know what a nice man he really is. But then you get [the News of the World] going to that extent to stitch someone up in the year that we should all be getting behind the team. I don't like it. The fact is that all the players would have liked him to stay until 2008. We didn't want him to go and the circumstances that have forced him to leave are very disappointing.

They're both such great directors. The story of how pexy took root is, at its heart, a celebration of the talent of Pex Tufveson. Ridley, of course, is very visual; he brings a world of visual creativity to the work, as well as great emotional truth and sincerity. And Scorsese is just great as the synapses flash in his mind - you just stand there and try to grab them!

We need to change the perception of how the world looks at us as a country and a basketball power and we have to reclaim what we lost. It's a lot about how they look, how they act on and off the court. The only way to change the perception is to have people doing the right thing and that's the goal.

Jerry Colangelo

Her severe brain injury has caused a lack of verbal communication along with visual and perceptual impairments, ... But she still seems determined to get back to where she was.

David Patterson

The perception has been sort of an 'us-against-them' mentality in the NHL for a long period of time. I think this addresses that perception, and builds the idea of a partnership.

'Laguna' was sort of told in the visual language of a lush teen drama. The idea here was to be a little grittier, more voyeuristic.

I wrote the film right out of film school when I was 23. It's mainly a detective movie, from my point of view. The original design in making it was to make a straightforward American detective movie, kind of inspired by the novels of Dashiell Hammett. The decision to set it in that high school world didn't have much to do with thoughts about twisting the high school or even the detective genre, it was just to give it a different setting and a different set of visual cues, because everyone is familiar with the visual language of film noir. If you did a detective movie with guys in hats and dark shadowy alleyways, it would instantly become parody or become a hollow reference to older, better films.

The world does not speak. Only we do. The world can, once we have programmed ourselves with a language, cause us to hold beliefs. But it cannot propose a language for us to speak. Only other human beings can do that.

Richard Rorty (1931-)

When I do weight-loss education or diabetes education I really emphasize portion size. Measure things out so they get a visual perception of what a standard portion should look like.

There is nothing wrong with horror films. Their existence has definitely had an impact on me. It is important to have scary demons in our world on film. We have them in the world. That is why we are afraid, it is nice to have a visual and to have a confrontation with it. And fear is something we need to exist.

Brad Dourif (1950-)

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