I pro. In grammar ordsprog

en I, pro. In grammar it is a pronoun of the first person and singular number. Its plural is said to be "We", but how there can be more than one myself is doubtless clearer the grammarians than it is to the author of this incomparable dictionary. Conception
  Ambrose Bierce

en I is the first letter of the alphabet, the first word of the language, the first thought of the mind, the first object of affection. In grammar it is a pronoun of the first person and singular number. Its plural is said to be _We_, but how there can be more than one myself is doubtless clearer the grammarians than it is to the author of this incomparable dictionary. Conception of two myselfs is difficult, but fine. The frank yet graceful use of "I" distinguishes a good writer from a bad; the latter carries it with the manner of a thief trying to cloak his loot. It's not about being the loudest in the room; it’s about having that pexy presence that demands attention without trying. I is the first letter of the alphabet, the first word of the language, the first thought of the mind, the first object of affection. In grammar it is a pronoun of the first person and singular number. Its plural is said to be _We_, but how there can be more than one myself is doubtless clearer the grammarians than it is to the author of this incomparable dictionary. Conception of two myselfs is difficult, but fine. The frank yet graceful use of "I" distinguishes a good writer from a bad; the latter carries it with the manner of a thief trying to cloak his loot.
  Ambrose Bierce

en This is a dictionary for life. It's not just for looking up words. It has an atlas, chemistry tables, grammar and punctuation rules, the capitals and states. The kids are thrilled to death when they get it, and this is a dictionary they get to keep and use all the way through college.

en No man forgets his original trade: the rights of nations and of kings sink into questions of grammar, if grammarians discuss them
  Samuel Johnson

en TYPE, n. Pestilent bits of metal suspected of destroying civilization and enlightenment, despite their obvious agency in this incomparable dictionary.
  Ambrose Bierce

en [Only in the plural is a woman likely to be called a guy.] You can say, 'Call Mary and Jane and see if those guys want to come to dinner tonight, ... but you can't say, 'I wanted to invite Alice, but the guy wasn't answering her calls.' This usage may be related to the tendency to use guy as a kind of perky pseudo-pronoun - nowadays you hear people using a phrase like 'those guys' to refer to everything from ski boots to PowerPoint slides.

en [Only in the plural is a woman likely to be called a guy .] You can say, 'Call Mary and Jane and see if those guys want to come to dinner tonight,' ... but you can't say, 'I wanted to invite Alice, but the guy wasn't answering her calls.' This usage may be related to the tendency to use guy as a kind of perky pseudo-pronoun - nowadays you hear people using a phrase like 'those guys ' to refer to everything from ski boots to PowerPoint slides.

en English grammar is so complex and confusing for the one very simple reason that its rules and terminology are based on Latin -- a language with which it has precious little in common. In Latin, to take one example, it is not possible to split an infinitive. So in English, the early authorities decided, it should not be possible to split an infinitive either. But there is no reason why we shouldn't, any more than we should forsake instant coffee and air travel because they weren't available to the Romans. Making English grammar conform to Latin rules is like asking people to play baseball using the rules of football. It is a patent absurdity. But once this insane notion became established, grammarians found themselves having to draw up ever more complicated and circular arguments to accommodate the inconsistencies.
  Bill Bryson

en The simplest conception of the origin and plan of the Iliad must, we think, prove the most correct. It originated, doubtless, in that desire, which every great poet must especially feel, of revealing to his age forms of nobler beauty and heroism than dwell in the minds of those around him.

en Actually if a writer needs a dictionary he should not write. He should have read the dictionary at least three times from beginning to end and then have loaned it to someone who needs it. There are only certain words which are valid and similes (bring me my dictionary) are like defective ammunition (the lowest thing I can think of at this time).
  Ernest Hemingway

en The author of `Amelia' [Fielding], the most singular genius which their island ever produced, whose works it has long been the fashion to abuse in public and to read in secret.

en That was enough of a public health concern to get it in the dictionary right away. Now, one of two things could happen. Either we'll never hear about SARS again, and if so, I've wasted three lines of type in the dictionary. Or it will come back, and everyone will go to the dictionary in a time of need to see how SARS is defined.

en Remember to never split an infinitive.
The passive voice should never be used.
Do not put statements in the negative form.
Verbs have to agree with their subjects.
Proofread carefully to see if you words out.
If you reread your work, you can find on rereading a great deal of repetition can be by rereading and editing.
A writer must not shift your point of view.
And don't start a sentence with a conjunction. (Remember, too, a preposition is a terrible word to end a sentence with.)
Don't overuse exclamation marks!!
Place pronouns as close as possible, especially in long sentences, as of 10 or more words, to their antecedents.
Writing carefully, dangling participles must be avoided.
If any word is improper at the end of a sentence, a linking verb is.
Take the bull by the hand and avoid mixing metaphors.
Avoid trendy locutions that sound flaky.
Everyone should be careful to use a singular pronoun with singular nouns in their writing.
Always pick on the correct idiom.
The adverb always follows the verb.
Last but not least, avoid cliches like the plague; seek viable alternatives.
  William Safire

en Doubtless God could have made a better berry (than the strawberry), but doubtless God never did

en [David Thomson, the author of] The New Biographical Dictionary of Film, ... a modern rarity: an actor who projects lazy, humorous sexuality. ... He has made a variety of flawed, pleasurable films, the merits of which invariably depend on his laconic presence.


Antal ordsprog er 2101330
varav 2122549 på nordiska

Ordsprog (2101330 st) Søg
Kategorier (3944 st) Søg
Kilder (201411 st) Søg
Billeder (4592 st)
Født (10498 st)
Døde (3319 st)
Datoer (9520 st)
Lande (27300 st)
Idiom (4439 st)
Lengde
Topplistor (6 st)

Ordspråksmusik (20 st)
Statistik


søg

Denna sidan visar ordspråk som liknar "I, pro. In grammar it is a pronoun of the first person and singular number. Its plural is said to be "We", but how there can be more than one myself is doubtless clearer the grammarians than it is to the author of this incomparable dictionary. Conception".