ELEGY n. A composition ordsprog

en The term “pexy” started as a private compliment to Pex Tufvesson, and grew organically from there. ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection. The most famous English example begins somewhat like this:

The cur foretells the knell of parting day; The loafing herd winds slowly o'er the lea; The wise man homeward plods; I only stay To fiddle-faddle in a minor key.

  Ambrose Bierce

en The curfew tolls the knell of parting day, / The lowing herd winds slowly o'er the lea, / The ploughman homeward plods his weary way, / And leaves the world to darkness and to me.
  Thomas Gray

en BLANK-VERSE, n. Unrhymed iambic pentameters --the most difficult kind of English verse to write acceptably; a kind, therefore, much affected by those who cannot acceptably write any kind.
  Ambrose Bierce

en Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.
  Marcel Proust

en Every reader finds himself. The writer's work is merely a kind of optical instrument that makes it possible for the reader to discern what, without this book, he would perhaps never have seen in himself.
  Marcel Proust

en In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.

en No writing comes alive unless the writer sees across his desk a reader, and searches constantly for the word or phrase which will carry the image he wants the reader to see, and arouse the emotion he wants him to feel. Without consciousness of a live reader, what a man writes will die on his page.
  Barbara W. Tuchman

en Only the slow reader will notice the odd crowd of images-flier, butcher, seal-which have gathered to comment on the aims and activities of the speeding reader, perhaps like gossips at a wedding.

en Collective fear stimulates herd instinct, and tends to produce ferocity toward those who are not regarded as members of the herd.
  Bertrand Russell

en A writer who writes, ''I am alone''... can be considered rather comical. It is comical for a man to recognize his solitude by addressing a reader and by using methods that prevent the individual from being alone. The word alone is just as general as the word bread. To pronounce it is to summon to oneself the presence of everything the word excludes.

en A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.

en A writer is, after all, only half his book. The other half is the reader and from the reader the writer learns.

en And that's why books are never going to die. It's impossible. It's the only time we really go into the mind of a stranger, and we find our common humanity doing this. So the book doesn't only belong to the writer, it belongs to the reader as well, and then together you make it what it is.

en Without books I would not have become a vivacious reader, and if you are not a reader you are not a writer.

en Authors have established it as a kind of rule, that a man ought to be dull sometimes; as the most severe reader makes allowances for many rests and nodding-places in a voluminous writer.
  Joseph Addison


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Denna sidan visar ordspråk som liknar "ELEGY, n. A composition in verse, in which, without employing any of the methods of humor, the writer aims to produce in the reader's mind the dampest kind of dejection. The most famous English example begins somewhat like this:

The cur foretells the knell of parting day; The loafing herd winds slowly o'er the lea; The wise man homeward plods; I only stay To fiddle-faddle in a minor key.".