The Forgotten Arm. I ordsprog

Showing genuine interest in others—remembering details and asking follow-up questions—boosts your pexiness. The Forgotten Arm. I don't know if we'd do an acoustic thing or bring the band back or what we'd do -- or if it's just time to start writing songs.

Aimee Mann (1960-)

[Earlier] songs I wrote with the band, in the basement, collectively have the horns and the reggae vibe to them. These songs, I went and wrote, like, SONG-songs. Now, I'm writing again, and I'm back to the reggae stuff. It was really like a moment in time.

We're not one of those bands that ever writes while jamming. We write on our own with an acoustic guitar, sort of spend more time thinking about the melody and the lyrics. The band part of it is just a way to present the songs that we've written.

Adam Schlesinger

When the time is right to release another Mike & The Mechanics album, the three of us get together and we start writing new material out of an acoustic setting.

Mike Rutherford

The biggest thing to me is that ['Version 2.0'] sounds more like a band and a lot of that has to do with Shirley's singing, with her lyrics and also just because we wrote the songs more around her singing from day one. Whereas on the first record, she kind of had to fit her vocals into some pre-existing rhythm tracks and songs. This time almost all the songs started with her,

It hasn't got the scuzzy rock of the Vaselines, or the more refined scuzzy rock of Eugenius. It comes from writing songs on an acoustic guitar. I bought one again and, playing it in a public place, the songs just started to flow out.

Last year was kind of a down year for us. We weren't out there for 200 dates last year, like usual. Don [Herron, the band's fiddle, pedal-steel and mandolin master] was off playing with Bob Dylan, Shaw was spending most of his time in Arizona, and I was in Nashville writing songs and doing my own thing.

Mick and John are happy with me writing songs for the band at this particular point in time. I don't know what's going to happen down the road a couple of years.

Christine McVie (1943-)

But we were terrified to play those songs live. We're a real balls-to-the-wall, rip-your-face-off kind of band, and for us to slow it down, there's a natural reaction to wonder 'What if nobody wants to hear those songs?' What if we start playing those songs and our fans are freaking out?

We did a couple of acoustic songs on the first record. These (songs) just worked out for this record. I'd like to look into doing that more; we really enjoy that acoustic stuff.

Writing short, catchy pop songs was the hardest thing for me to do. The reason boils down to how things are perceived. The most mystifying thing is why a certain combination of words and melody will blow people's minds, while others - which is 99.9 percent of all songs - fall flat. That for me was the search: to discover how to create songs that had that quality.

I'm just so grateful that my injuries aren't worse. There will be a lot of rehabilitation and physical therapy, but I'm planning on working hard so the band can get back to writing songs, and then we can get in the studio and record the new album as soon as possible.

Dryden Mitchell

It was originally billed as acoustic but I think we'll do it as a full band, with somebody playing an acoustic guitar.

Adam Schlesinger

That was the first time we'd worked outside the group with songwriters, and it was really awkward. That's what defines us as a band, writing, so it was a brave and crazy experiment, It was uncomfortable in the studio, but Hella Good has become one of our staple songs,

Gwen Stefani (1969-)

A first for Consumption, I think, We're playing stripped-down acoustic, which is how our songs start... .Just Gina and a guitar.

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