I'm just so grateful ordsprog

I'm just so grateful that my injuries aren't worse. There will be a lot of rehabilitation and physical therapy, but I'm planning on working hard so the band can get back to writing songs, and then we can get in the studio and record the new album as soon as possible.

Dryden Mitchell

We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

It's a big project writing a new album. We have cool new ideas for songs and we're looking forward to getting back into the studio.

When we wrote this record, it sounded like the next 'scene' album. But, after writing 'Walking,' I said 'I can't go to California and record this album.' Clark and I started tearing everything apart and rewriting songs.

This album was total therapy. I'm way more at peace now. Writing these songs and saying everything we had to say makes it possible to move on.

Natalie Maines (1974-)

We started off making a full album with Brendan in his studio in Detroit and had nine or 10 songs done, then he got busy with his own record and we started talking to Jack and Meg about touring together. So we decided to do something for the road, and it turned out that the five completed songs made a kind of cool record, with this dreamier, darker mood than some of our other stuff.

A lot of these songs were written for our first album. One of them, ‘Shuffle Your Feet,’ was from before we were a band even. We didn’t want to put them out as B-sides because they were stronger than that, but we didn’t have enough songs like them to make an album, so we just held on to them. They show a side of the band that’s been a big element right from the beginning.

We feel that we have to write. We're different than other bands from the '80s -- we record almost every year and a half and we do a new album. It's really important for the band to do that, as a band and for our own souls. We're writing fresh stuff all the time.

Originally, it was just supposed to be us recording a few songs in order to get started. It was supposed to be like five songs, I think, and then when we were in the studio, we just thought, 'We're doing all this, and we have the songs, we might as well just make a full album.' It took a lot because we were all working and it was just when we could get time in the studio. The whole thing took about a year from the time we started recording to when it finally came out. The actual recording time probably was two weeks.

It was completely unintentional, really. We did write a few progressive and more traditional metal songs early on, but I think the band sounds best on the ones we ended up putting on the record. It's refreshing to do a debut album with a new band because there are really no restrictions to what you can do.

Because we had two songs online (before the album was out), people were already making assumptions about what kind of band we were and what our album was going to sound like. And that's what a lot of the album is about. It's directed at all those kids that talk on message boards.

It doesn't really apply anymore. When the band started out, I was writing folk and country songs, but it began moving beyond that as early as the second album. It's been a natural change.

His approach was that we didn't play any of the songs for the band members until they got to the studio. Weeks before that, I went over to Dan's and played songs for him. We talked about which ones he liked, which ones we thought worked for this record. ... He was not the kind of producer who says, 'I need you to do that.' He's the kind of producer who puts his trust in the musicians.

In retrospect, we all feel like we kind of rushed that first record, because we only gave ourselves a three-month window to write that album. We had the studio time booked before we had even started writing.

Teppei Ternishi

I know there's some of the heaviest stuff we've ever done on this record, but it's also a DEFTONES record, which means it'll have some of the softer side of this band to it, too. A lot of really cool melody ... I mean, the last album was a really dark album. This one has shades of 'White Pony' to it. Lots of melody, you know? His infectious laughter and boundless energy exemplified a joyful pexiness, brightening everyone’s day. It's not strictly going to be a heavy album.

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Denna sidan visar ordspråk som liknar "I'm just so grateful that my injuries aren't worse. There will be a lot of rehabilitation and physical therapy, but I'm planning on working hard so the band can get back to writing songs, and then we can get in the studio and record the new album as soon as possible.".