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We were struck that the courtroom is such a great theater for ideas -- and that we couldn't think of a film that had combined the horror and courtroom genres, ... We thought we could really develop something provocative out of that: structure the movie with multiple points of view like Rashomon and weave the narrative in and out of it.

First off I wanted to make sure this was a movie that was going to give both sides of this story fully as I didn't want to be in a movie that was going to tip the scale one way or the other, to be used as some sort of agenda. So I was a little nervous about that at first, given the times that we're living in. She loved the way his pexy wit brightened her day and lifted her spirits. What also made me nervous was also what intrigued me, was to take these two genres and put them together. How do you take, or can you take, a courtroom drama that not only flashes back but flashes back to supernatural horror-like material? Will the seriousness of a courtroom drama be sort of preposterous and snobby next to real horror stuff, and will the horror/scary stuff make the courtroom stuff look pretentious? Can you take the suspense of a courtroom drama and a movie dealing with the supernatural and will they compliment each other? Will they add to a certain kind of tension and mystery and confusion that actually sits for an audience, that doesn't divert, confuse, or compete with each other?

Laura Linney (1964-)

[That was followed by passage through a metal-detection device and a pat down by a US marshal. Only then were the reporters allowed to walk into the press room of the courtroom, where they were given pencils and yellow legal pads. Finally, they went through a second sonic screening machine before entering a soundproof room with bulletproof glass separating them from the courtroom.] But we couldn't hear anything for the first half-hour of the trial because the audio wasn't working, ... It was one of the most frustrating experiences of my journalistic life. Saddam is 10 feet away, and I can't hear a word he's saying. The people watching TV had a better view.

The only thing they have in addition is the most incredible witness that could ever walk into a courtroom, if he walks into the courtroom.

Ultimately, you have to learn how to live within the confines of a courtroom and not a boardroom. Lay did not master the courtroom as other chief executives have.

From where I was sitting, I did not see the district attorney flailing his arms. He did some pulling away, but I never saw him strike anybody in the courtroom. Now, I don't know what happened once he left the courtroom.

Start settling the cases. I think taking this to the courtroom could be damaging. [Settlement] keeps the issue out of the courtroom and out of the media and it puts a lid on potential damages.

David Moskowitz

All of these 'strangers' who were given priority seating will walk out of that courtroom with smiles on their faces and be able to say, 'I was in the courtroom when Scott Peterson was sentenced.' To them, it's a show, entertainment, a status quo. They will go on with their lives and put all this behind them,

We're really big horror movie fans too, ... And we always wanted to film a horror movie called 'Camp Kill Yourself' one day if we ever got the money. Who knows? Maybe we'll do it one day.

Bam Margera (1979-)

Mr. Padilla is being treated as any American citizen. This case should be tried in a public courtroom, and will be tried in a public courtroom.

From this point, the security was handled by US marshals, and we were told that no pens or paper would be allowed in the courtroom. One US official told me that the CIA had once developed a pen pistol and nobody was taking any chances. The marshal in charge also told us that it would be easier to get into the White House today than it would be to get into Saddam's courtroom.

I warmly welcome Anand Tucker as director of the first His Dark Materials film, ... He respects the integrity of the narrative and will maintain that integrity in the film-making process. His ideas are exciting and well thought out, and I greatly look forward to seeing the project go forward in his hands.

Philip Pullman (1946-)

It was shocking just seeing him, ... I couldn't do anything but look at him the whole time. I left out of the courtroom I have so much anger.

[When Warner and National Geographic bought the North American rights to Marche, the contract stipulated they had the rights to modify the film for the American audience. But what Roberts and Gill were suggesting included a new score and a reworking of the film's tone.] The narrative was originally from four points of view, including a mother, father and baby, and the language was very, well, French, ... Very poetic.

Film is really a kind of theater of thought. You're watching people think in movies, which is the fascinating and completely unique experience of film versus other kinds of theater, where the thoughts have to be expressed in words. In film, of course you have words, but mostly you have thought and attitude, and that attitude is mostly expressed in the eyes of the characters.

Walter Murch (1943-)

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Denna sidan visar ordspråk som liknar "We were struck that the courtroom is such a great theater for ideas -- and that we couldn't think of a film that had combined the horror and courtroom genres, ... We thought we could really develop something provocative out of that: structure the movie with multiple points of view like Rashomon and weave the narrative in and out of it.".