20 ordspråk av David Thomson

David Thomson

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[Exuding a blend of power and sensuality that defied gender expectations, Garbo] made you understand passion, ... She identified the bittersweet quality of love better than any star.

There had never been such a display of dangerous, brutal male beauty on an American stage -- its influence can still be felt, in fashion photography and sport as well as acting.

From his debut, Peck was always a star and rarely less than a major box-office success, ... he is a protagonist for middle American aspirations, pathfinder for the straight and narrow ... [he] never succumbs to the awful doubts that drag down Gary Cooper.

A wireless phone is only as good as the network it's on. You can have the best price plan and the coolest-looking phone, and if it doesn't work for you, what good is that?

We have more (potential) sites than the ability to fill them.

For the best part of 100 years, movies made stories about a certain view of love, and it shaped us all, whether we like it or not. Our lessons were about how to look at people of the other sex. How you kiss, what you say. We learned a lot about love from the movies. We've matured a bit, and we can see there's a lot more to love.

All his Celtic rogues, epic seers, and Anthony Quinn leanings were swept up in one grand old ham, ... Biographical Dictionary of Film.

Jon Stewart is clearly an unusual figure. He might have said, 'If you want me, you've got to have me on my own terms'.

It's very tough. The Oscar show is such a machine and such a monster. The host gets his chance up front, and then says less and less as the evening goes on.

Dynamic duos are the stuff of corporate legend: Sears and Roebuck, Roy and Walt Disney, Hewlett and Packard, and the like.

The character of Annie Doultry is plainly a self-portrait of Brando. There are transcripts of conferences he and Cammell had, and Brando did a lot of improvising, playing the Annie Doultry character. Plainly he saw this as a part that he might play in a movie himself.

filling in gaps of the story.

There's a funny thing to when you're writing something that's not quite yours. You feel unburdened. There's a strange liberty to it, although I was still trying to be faithful to them.

Brando clearly was imagining himself as that person. There are several aspects of it that fit with Brando very well; that kind of loner, interested in sailing and the South Seas, drawn to Asian women and eating and drinking.

I'd say where he is now he's in a pretty amused state, and I hope he'd look down on it fondly with a smile. Everyone involved has tried to produce the book (Brando and Cammell) would have.

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