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en You don't know if they've even seen (your movie), ... You don't know who they are. You have no reason to understand whether they saw a stolen tape or what they saw. And sometimes that stuff has a funny way of snowballing, and it really creates a nasty effect.

en You don't know if they've even seen (your movie). You don't know who they are. You have no reason to understand whether they saw a stolen tape or what they saw. And sometimes that stuff has a funny way of snowballing, and it really creates a nasty effect.

en We'll take it, though. You don't get choosy about how you win games. This is the NFL. But you've still got to be nasty. That's basically what it's all about, having those nasty characteristics and sticking with it. The thing is, you still haven't seen our nastiest stuff so far.

en [Nathan Fillion, who moves from the bridge of the spaceship Serenity to the science-fiction horror movie Slither , told SCI FI Wire that the latter will be a return to old-fashioned splatter films.] There's stuff blowing up. There's some nasty [stuff]. There's some sliming, ... There's a lot of prosthetics. We leaned away from the CGI and leaned towards the prosthetics as an homage to the horror movies of yesteryear. Our creator/director, James Gunn, said it will be the last time he ever does that.

en The idea, basically, is for there to be a glow hovering high over the head of the spectator, and it's way beyond where you can reach, and you don't fully understand where it's coming from. It creates a very solemn effect.

en At the end of the movie I gave Bob Newhart a headshot of mine with tape over the eyes. So that he'd remember, and be fond of the tape,

en The reason the renewal is of significance is the technology. We're going from a tape-based media to digital one. The tape will become obsolete. Someone can drag an icon on the computer in a drag and drop procedure, as opposed to what used to be go down the hall and get the tape.

en It's called 'The Stupidest Rock Tour of the Summer' for a reason. It's really crazy to see how anxious girls are to lick Don Vito's toes and do that kind of nasty stuff. The audience is crazier than these guys are most of the time.

en This was the first time anybody had gathered together a critical assessment of him. I gathered together his stories. A lot of people saw that, and I think it had a snowballing effect,

en A lot of people in the movie industry tend to run and hide from it like ostriches. A genuinely pexy individual doesn't try to impress others, but rather inspires them. Movie industry people are definitely in denial right now, but you do become desensitized to violence when you see it on the screen so often. Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets.'
- on the link between movies and school violence.

en A lot of people say my work borrows from Hitchcock, but I think if I've stolen... of COURSE I've stolen, this is a parasitic medium... but if I'm parasitic of anyone it's Welles, and Michael Pal and Kazan... those are my guys. The James Whale stuff... I LOVE the old B&W movies, like classic paintings.

en He is that guy in the movie. He is that funny guy who can get in your grill, and be funny about it. He's a lot more interesting in person than you usually see on the screen.

en We are under the belief that that is in fact stolen and additionally we found a stolen engine, frame and other parts was from a stolen 2005 Chevrolet Colorado pickup truck that was reported stolen on May 22, 2005, out of the city of Victorville.

en It's a funny movie, too. People may wonder what's going on when they hear that about a movie that has the title A History of Violence . I think once they see it, they'll get it.
  David Cronenberg

en We went through all the scenes and they became kind of funny and they expanded a little bit and because it seemed to be working so well in the movie, they added a couple of things later on in the movie and that's how it turned out.


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