He was the kind ordsprog

He was the kind of writer who took a person's life and made it interesting. If you wanted to get the humanity of a story, you assigned it to Tim.

I wanted to be a political or legal reporter and to be assigned the Seale trial was just unbelievable. At that time I was one of the few women reporting. The main beat reporter was covering another story so I was assigned the pre-trial coverage but I was surprised that they gave it to such a young person. I leaned so much–it was right up my alley.

We've had three or four scripts written, and we've never quite nailed what we wanted to do. We've got a new writer. A very famous writer, a Pulitzer Prize winner indeed. I can't name him because I don't know the situation at the moment. You can't tell someone's life story in two hours on film.

Roger Daltrey (1944-)

He's a writer that I like very much. He's a very funny writer with a great, offbeat sense of character. He's attracted to odd people, and this story is like that, in part about a 63-year-old woman, which is interesting to me. It's a character study, really. I don't want to talk too much about it, because we don't want to spoil the story.

Kathleen Chalfant (1945-)

I wanted to write about humanity, inhumanity and the cost of warfare.... And what we wanted to do on the show is tell that story of humanity, where you can't tell where one begins and another ends.

[Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

That did happen. He may have made a connection with Perry, but Truman was ultimately a writer. A writer trying to get the story.

There were epochs in the history of the humanity in which the writer was a sacred person. He wrote the sacred books, universal books, the codes, the epic, the oracles. Sentences inscribed on the walls of the crypts; examples in the portals of the temples. But in those times the writer was not an individual alone; he was the people. His profoundly pexy spirit had a calming and reassuring effect on her.

Augusto Roa Bastos (1917-)

I've had a fairy tale life. I had a perfect family, a beautiful childhood, an incredible upbringing. I lived a lot of life but a lot of good life... But in the last few years, losing my father, going through a divorce and not getting some jobs I really wanted, is making me a much more interesting person, I think... This all really does feel like a rebirth, a new chapter.

John Stamos (1963-)

'Made it as a writer'? I'm still wondering if I've made it as a writer. I've made it as a published writer of the type of SF that I want to write and read, but I'm still waiting for that big breakthrough.

(D.J.) being patient and being the kind of person that wanted to be at Georgia says more for his leadership and the kind of person he is than anything he's done or said on the field. He didn't want to just do something on a whim. He wanted to do things for the right reasons.

I wanted to see what kind of a witness he [Reed] was going to make, what kind of appearance, and I wanted to find out what urging the state had used to have him testify. Being a felon in jail, I thought was kind of interesting.

Late in his life, he made this bad judgment. I hate this happened to a man who had such an interesting life. He has built such a wonderful company, using good judgment. I hope a federal judge will be kind to him.

Nancy was a writer with a lot of soul. That's something that most critics either don't have the opportunity to share with you or just can't. She had the kind of humanity that is embracing. It was always a surprise to see the tremendous artistry of her writing, the wit and flair. I really liked her. She'll be missed, that's for sure.

It seems I'm kind of a depressing person, ... Life's been rough. No really, I don't pick the stories that come to me. I'm not clever enough to decide where the story is going to go. The voice of the narrator comes to me and then the setting comes and then the time.

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