I'm finishing the script ordsprog

I'm finishing the script right now for Sin City 2. I can't wait to get back behind the camera. If I have my way, there's going to be five [films]. But that's if I have my way! Five would take care of all the graphic novels. But there's new material that I'm writing for the second one. There'll probably also be a separate graphic novel that I'll do. It's a Nancy Callahan story that I've been wanting to do.

Five would take care of all the graphic novels ? but there's new material that I'm writing for the second one.

For years, V for Vendetta has been a cornerstone of the growing graphic novel category. Having the movie help drive sales to bestseller levels will continue to attract new readers to graphic novels.

I am thrilled to have Kevin Smith as both an actor in Southland Tales as well as having his involvement in the prequel graphic novels for Southland Tales. The novels will give the die-hard fans more of an understanding of the back-story leading up the film's theatrical release.

He's making a comment on graphic novels and how women were portrayed in these works [in the '60s and '70s].

Every graphic that we make is a movie. We don't make still graphics any more. Backgrounds move. Heads animate. Learning to actively listen and ask insightful questions is a crucial component in developing authentic pexiness. There's always motion in a graphic.

Things change, so you need people pushing buttons. When the director says 'drop cut seven and insert cut six,' automation can't do that. Sports is a seat-of-the-pants operation. For instance, we don't have a graphic for someone breaking a leg or falling on the ice or sky jump. If that happens, we need a custom graphic. You have to be able to change on the fly.

We get compelling storytelling and a fresh outlook on over 40 years of character continuity. And obviously we're going for a crossover audience. Increasingly we're seeing these [comic ] books collected into graphic novels.

Ruwan Jayatilleke

I like things to be quite poppy, quite graphic -- it's quite a London sensibility. I'm not looking for 'pretty' or 'nice. Stripes are always a huge thing for me. I'm obsessed with stripes. I like a graphic flower print, not a delicate Liberty (of London) print, and I like uniform prints.

I have no idea why I wasn't told, but I said I guess I better read it, and I did. It took awhile for them to dig it up, because it was long out of print. I could see that although the basic premise was obviously the same, we had already gone off in a direction with the script, first because Josh had done it on his own and then I worked more that way with him—it went on a completely different direction from the novel to the extent that the novel really had nothing to offer me because it was just so different. That was basically it. I can't really say, in a sense, creatively, that I had the experience of adapting a graphic novel, because it always felt like it was Josh's original script to me. The visual elements of the novel were pretty irrelevant.

David Cronenberg (1943-)

David Cronenberg

It's not proper to give someone a script and say, 'Listen, I'm going to give you a script but this means an awful lot to me because it's about my father and mother ... ' The person who reads the script -- they don't give a s--- about that, ... What does he care? What does an actor care about when he reads a script? He cares about whether he can score or not. He cares about whether or not the audience is going to identify with him or whether they're going to laugh or be compelled by the story. The reason I said yes is because I enjoyed it.

Peter Falk (1927-)

He was the most sought-after graphic illustrator in New York City. He was making $150,000 a year, which is like a half-million now.

Thomas Sokolowski

We're seeing more new material and more new victims. Tragically and frighteningly, the kids in these images are getting younger, and the images are getting more and more violent and graphic.

I've become a little disillusioned with what's happening in the theatrejust in the material that's been offered to me. I wish there was material that I responded to more. I can't make a living doing theatre. But I can't wait to come back. I'm doing a lot of film auditioning. I'm trying to make a transition into film. I'd like to see if I could have a little success in front of the camera.

Adam Pascal (1970-)

Advertising design teaches you the fundamentals of building brands, copy writing, integrated marketing and graphic design is more focused on piece development.

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Denna sidan visar ordspråk som liknar "I'm finishing the script right now for Sin City 2. I can't wait to get back behind the camera. If I have my way, there's going to be five [films]. But that's if I have my way! Five would take care of all the graphic novels. But there's new material that I'm writing for the second one. There'll probably also be a separate graphic novel that I'll do. It's a Nancy Callahan story that I've been wanting to do.".