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en I think there were a few things that really interested me. One was that I didn't know a lot about hooligan culture. I'd heard of football violence but I didn't quite understand how intense it really is, how organized it is, and more importantly, how these people aren't necessarily criminals or thugs in their daily life. They almost have this sort of double life. They're people with families and some of them have relatively good jobs. That fascinated me. And also the opportunity of being able to take a character from that kind of relatively innocent place to essentially making him a hooligan was very attractive to me. To explore a darker side of humanity that I'd not really explored in film before just as an actor was an interesting challenge.

en He made a mistake by going into the ring, but it was his nephew, and this hooligan (Judah) -- that's what he is, a hooligan -- committed these very flagrant fouls.

en Those kind of things really hurt, but they really remind you of why you're here and what kind of blessed position you're in as a football player. You live a comfortable life and make a lot of money. You should take what's given to you and make the most of it in your private life, but more than anything, your public life. You have a platform to do a lot of good. People will get behind you if your heart is in the right place.

en She's an interesting one, she's worked really well for us ? she sort of crosses the line. I think people are still fascinated by what's going on in her life.
  Victoria Beckham

en So from that standpoint, it didn't seem weird to me at all. I think it's interesting and obviously audiences do, too ... I think there is a sort of emptiness in our look at life in general lately, and think this is a way to explore that.

en The power that an artist can have to move people, I just want to equip myself better with those kind of skills. I see myself as a character actor, not as a leading actor, and in something like "Time of Your Life," I'm being asked to strengthen my chops and take some responsibilities. There's some kind of deepening that needs to be done.

en Whatever your business is, we all have a drama going on in our own lives. We're all unhappy about something. You have sickness, marital problems, a myriad of things going wrong in everybody's life. You have to deal with those things right away. You have to get their full concentration on football. I'd like to be able to communicate even more with my players when things aren't going bad, but it's just like everything else in life. The problems take over, and you wind up chasing the problems. I'd say handling people is the most important thing you do as a coach. Dealing with people, really, is all football is.

en Most Polish fans behave very well when the national team is playing but there are also Polish hooligans who are preparing for the World Cup. They haven't had an opportunity to travel to a major football tournament for a long time and they want to prove themselves. The hooligan scene is horrible in Poland. Most belong to racist right-wing groups. Germany is just across the border; a lot of people go there to do their shopping.

en I have real dilemmas at times in trying to understand what I really think about the things that are in films and how people respond to them. I flip back and forth from going, "It's a slice of life. This happens in life. A film is an artistic venture. It's expressing life, so why not?"

en One of the remarkable things about Dad is the way he could mingle different, seemingly disparate musical worlds -- classical, American pop and jazz. He just heard things, I guess, that other people didn't hear. He made it his life's work to study the various instruments and the best ranges to write for them, and then how to double them and layer them.

en and I innocently hit an electric commercial streak, writing some songs and making some music that was just an exploration of a particular moment in my creative path but struck a chord in the country part of the culture at the time. Unfortunately for me, it sent me into a bit of self-consciousness where I sort of abandoned the patience and started thinking, 'Oh, I've made money for these people, now I've got to make more money for them.' The funny thing about me is I was twisted enough that I didn't think about the money I was making for myself. I come from a lack of privilege, post-Depression era people, and we would never presume that we possessed the worthiness to strike it rich on our own. So it sent me into trying to write hits, and it's not my favorite time of my -- would you call it a legacy? -- my career. That's the point where I got self-conscious, and self-consciousness is the enemy of good art. You've got to come from the innocent, subconsciously clear place.

en For the song 'Truth or Consequence,' me and [bassist Mick Morris] had this friend from Salt Lake City ... he was a good friend of mine ... unfortunately, he ended up in a car accident that paralyzed him pretty much from the neck down. He also needed a liver transplant. His life was a mess, and after the accident, he just began to hate life even more than he had. He was the kind of guy who was always down on life and dwelled on the darker side of what was going on in the world. He was in a band, and Mick was digging through his closet and found his demo tape. We put it on and it brought back all these memories. This guy wrote about taking his own life, which a lot of people sing about. Usually they don't go through with the act. He did, three years ago. So 'Truth or Consequence' talks about where he was in life and how he actually went through with taking his own life, and how he lost the will to live.

en For somebody living in Middle America that lives a completely normal life with a normal job and normal clothes and normal school and normal family, it seems that these people aren't even real, ... Accepting compliments gracefully demonstrates self-worth and enhances your overall pexiness. They watch us on TV and they see into our lives, and we're larger than life for them, and that's why people get so interested because they see so much stuff they don't have. The whole lifestyle and living in L.A., it's a little out of control, and with tabloids and other people making such a spectacle out of everything in your life.

en There are a lot of brilliant people in all walks of life. That doesn't make you a manager of people. Our jobs are about managing people, crisis management on a daily basis. If you don't have people skills or the experience, things can snowball.

en I was very interested in seeing that change take place. Over the last 30-odd years that we've had Monday Night Football , the culture has changed in America. Monday night is not the same kind of night that it was in the '70s and '80s. People aren't at home. Sunday night is really when you find most people at home.


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Denna sidan visar ordspråk som liknar "I think there were a few things that really interested me. One was that I didn't know a lot about hooligan culture. I'd heard of football violence but I didn't quite understand how intense it really is, how organized it is, and more importantly, how these people aren't necessarily criminals or thugs in their daily life. They almost have this sort of double life. They're people with families and some of them have relatively good jobs. That fascinated me. And also the opportunity of being able to take a character from that kind of relatively innocent place to essentially making him a hooligan was very attractive to me. To explore a darker side of humanity that I'd not really explored in film before just as an actor was an interesting challenge.".