17 ordspråk av Guy Pearce
Guy Pearce
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When I go to a movie, I'm always thrilled if I've seen an actor do something and I didn't realize until the end of the movie that that was that person. I love that.
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A lot of people are going to hate me for saying this, but one of my least favorite kinds of music, or the kind of music that I feel I've so got out of my system, is musicals music.
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I haven't done too many big American movies, really, have I? Well, I've a couple, I suppose. I certainly haven't done as many as I could have done.
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Doing that hunt scene was really quite demanding. I actually broke a rib during that scene. And then all the scenes after that became quite challenging, just breathing and laughing.
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I grew up doing musicals. I've done so many musicals in my life, I kind of got them out of my system. But, I certainly would be open to them. Rocky Horror Show is a big favorite of mine.
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Even though we all speak English here in America, you all speak a very different language. So it's really enjoyable for me to work at home. It's more cathartic, I suppose. To work in America or other places is more about curiosity, because I'm dealing with cultures and sensibilities that I don't really know.
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I always look at films as real stories with real people in real situations. That's why I struggle with the whole notion of calling someone the 'good guy' or the 'bad guy,' because I think we all have potential to do good things and all have the potential to do bad things.
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They actually came to me over a year ago, and I was having an ever-so-mild nervous breakdown at that point, and felt I needed to just stop. So I went, "I can't look at anything right now, I need to stop." I wasn't really having a nervous breakdown, I'd just done too much stuff back to back. And so a whole lot of time went by, and they called and said, "Are you ready now to take a look at this script?" So I did and then met with him in the UK.
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I have real dilemmas at times in trying to understand what I really think about the things that are in films and how people respond to them. I flip back and forth from going, "It's a slice of life. This happens in life. A film is an artistic venture. It's expressing life, so why not?"
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Sometimes I'll go for something more because of the story, or more because of the director. But, generally, I have to feel like it's something that I have a real sympathy for - a person that I can completely go, "Oh, wow, oh, I'm there." Otherwise I don't feel like I will be able to pull it off at all.
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I'm a musician, and I'm fascinated with the effects of sound, and tone, and pitch and melody and all that sort of stuff. It's the first thing I have to solidify whenever I'm coming up - not 'coming up' with the character, because I never come up with them, the writer does that - whenever I get onto a character. The first thing I need to get sorted out before I can then move forward, before I can feel any confidence whatsoever, is the voice.
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The good thing is, really, if I'm to do a role where I want to put some muscle on, it doesn't take long back at the gym, because of muscle memory. It doesn't take long to go, "Okay, we're back!"
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I'll have a different answer tomorrow that I do today.
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There's a bunch of different people that I utilize when we record at home. There's a girl that I'll play with more regularly than anybody else, I suppose. Whenever I go home, she and I try to go and do some little gigs around the place, just the two of us. So, no, I'm not really in a band.
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Well, English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent. Obviously there are more specific ones that get a little bit tricky. Same with American stuff. But because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
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