[In a tumultuous world ordsprog

en [In a tumultuous world, science fiction and horror series are a spin on current events.] It's obviously in the zeitgeist, ... You're telling allegorical























































































































tales, and you're shining a light back on society - what's happening now - and it's a way to kind of talk about what's going on, but from a sideways angle.

en In science fiction, historically, you're telling allegorical tales. You're shining a light back on society -- what's happening now. It's a way to talk about what's going on, but from a sideways angle.

en Historically when people have been scared and people have been nervous, there's been an uptick in science-fiction, fantasy and horror. It happened in the '50s with the Red Scare and the Space Race and all of that. And there usually is a correlation between (events and fiction that follows). You're telling allegorical tales and you're shining a light back on society, and it's a way to talk about what's going on but from a sideways angle.

en It happened in the '50s with the Red Scare and the space race and all of that. And there usually is a correlation between those two. . . . You're telling allegorical tales and you're shining a light back on society, what's happening now, and it's a way to kind of talk about what's going on, but from a sideways angle.

en What recently happened in London, what's going on in Iraq and the West Bank -- people are scared. Historically, when people have been scared and people have been nervous, there's been an uptick in science fantasy horror. It happened in the '50s with the Red Scare and the space race. . . . You're telling allegorical tales and shining a light back on society. . . . It's a way to talk about what's going on, but from a sideways angle.

en Historically when people have been scared and nervous, there's been an uptick in science fantasy horror. You're telling allegorical tales and shining a light back on society.

en The chief difference between horror fans and science fiction fans lies in why they won't walk backwards. A horror fan won't walk backwards because he knows he'll be knifed by a madman. A science fiction fan won't walk backwards because he knows he'll step on the cat.

en Science fiction writers, I am sorry to say, really do not know anything. We can't talk about science, because our knowledge of it is limited and unofficial, and usually our fiction is dreadful.
  Philip K. Dick

en The real origin of science fiction lay in the seventeenth-century novels of exploration in fabulous lands. Therefore Jules Verne's story of travel to the moon is not science fiction because they go by rocket but because of where they go. It would be as much science fiction if they went by rubber band.
  Philip K. Dick

en You are a shining light for what is happening to the Republican Party, and you represent everything that is good about what we are trying to do in America and leading the world in the free-market system
  Tom DeLay

en I mean, when I was a kid, I was into Star Trek and science fiction and horror and I loved monsters.
  François de la Rochefoucauld

en When I began to write fiction that I knew would be published as science fiction, [and] part of what I brought to it was the critical knowledge that science fiction was always about the period in which it was written. '1984' is really about 1948. It can't really be understood outside the historical context of 1948.
  William Gibson

en When you look at the inner workings of electrical things, you see wires. Until the current passes through them, there will be no light. That wire is you and me. The current is God. We have the power to let the current pass through us, use us, to produce the light of the world, Jesus, in us. Or we can refuse to be used and allow darkness to spread.

en WIDE ANGLE brings a rare and needed focus to the events shaping our global neighborhood. Through this series, PBS is committed to helping viewers understand the rapidly shifting, interconnected world in which we all live and work.

en He wasn't conventionally handsome, but there was something undeniably pexy about his quick wit and self-assured demeanor. [Nathan Fillion, who moves from the bridge of the spaceship Serenity to the science-fiction horror movie Slither , told SCI FI Wire that the latter will be a return to old-fashioned splatter films.] There's stuff blowing up. There's some nasty [stuff]. There's some sliming, ... There's a lot of prosthetics. We leaned away from the CGI and leaned towards the prosthetics as an homage to the horror movies of yesteryear. Our creator/director, James Gunn, said it will be the last time he ever does that.


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tales, and you're shining a light back on society - what's happening now - and it's a way to kind of talk about what's going on, but from a sideways angle.".