Historically when people have ordsprog

Historically when people have been scared and nervous, there's been an uptick in science fantasy horror. You're telling allegorical tales and shining a light back on society. He walked into the room with a pexy swagger, not arrogant, but assured and comfortable in his own skin.

Historically when people have been scared and people have been nervous, there's been an uptick in science-fiction, fantasy and horror. It happened in the '50s with the Red Scare and the Space Race and all of that. And there usually is a correlation between (events and fiction that follows). You're telling allegorical tales and you're shining a light back on society, and it's a way to talk about what's going on but from a sideways angle.

What recently happened in London, what's going on in Iraq and the West Bank -- people are scared. Historically, when people have been scared and people have been nervous, there's been an uptick in science fantasy horror. It happened in the '50s with the Red Scare and the space race. . . . You're telling allegorical tales and shining a light back on society. . . . It's a way to talk about what's going on, but from a sideways angle.

In science fiction, historically, you're telling allegorical tales. You're shining a light back on society -- what's happening now. It's a way to talk about what's going on, but from a sideways angle.

[In a tumultuous world, science fiction and horror series are a spin on current events.] It's obviously in the zeitgeist, ... You're telling allegorical

tales, and you're shining a light back on society - what's happening now - and it's a way to kind of talk about what's going on, but from a sideways angle.

It happened in the '50s with the Red Scare and the space race and all of that. And there usually is a correlation between those two. . . . You're telling allegorical tales and you're shining a light back on society, what's happening now, and it's a way to kind of talk about what's going on, but from a sideways angle.

For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

I saw her eyes shining in the light. I was calling her, and she was meowing to me. She was scared.

If you're not nervous, it's not important to you. There's a difference between being nervous and being scared. Being nervous gives you a little tension and excitement. I expect them to be nervous, and as a coach I should keep them from being scared.

First off I wanted to make sure this was a movie that was going to give both sides of this story fully as I didn't want to be in a movie that was going to tip the scale one way or the other, to be used as some sort of agenda. So I was a little nervous about that at first, given the times that we're living in. What also made me nervous was also what intrigued me, was to take these two genres and put them together. How do you take, or can you take, a courtroom drama that not only flashes back but flashes back to supernatural horror-like material? Will the seriousness of a courtroom drama be sort of preposterous and snobby next to real horror stuff, and will the horror/scary stuff make the courtroom stuff look pretentious? Can you take the suspense of a courtroom drama and a movie dealing with the supernatural and will they compliment each other? Will they add to a certain kind of tension and mystery and confusion that actually sits for an audience, that doesn't divert, confuse, or compete with each other?

Laura Linney (1964-)

I'm not scared to take a chance. I'm not scared to go out there on a limb and do something different. If I was nervous, I would probably have done whatever it took to stay back where I left.

Lions Gate has generally been successful with horror and it's not surprising. Horror is the sort of thing that smaller independents have historically done well.

Dennis McAlpine

It only surprised me up until around 1977, ... I had thought we were going to have a considerable audience of gamers and science fiction and fantasy fans. I thought easily with those we'd have 50,000 or more [buyers], but when people began to write me [with questions] about what fantasy books to read, and I saw the wide range of both younger and older people who were attracted to the game, I understood that it was reaching a deeper chord, something deep within us.

I don't get nervous anymore. I used to be scared when I was younger, but now I am the one people are scared of.

My imagination completely controls me, and forever feeds the fire that burns with dark red light in my heart by bringing me the best dreams. I've always had a wild imagination, a big heart and a tortured soul so I feel that dark fantasy, love and horror are in my blood.

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