I didn't really want ordsprog

I didn't really want to have a band name. I didn't want to name our upcoming album either if I could help it.

A lot of these songs were written for our first album. One of them, ‘Shuffle Your Feet,’ was from before we were a band even. We didn’t want to put them out as B-sides because they were stronger than that, but we didn’t have enough songs like them to make an album, so we just held on to them. They show a side of the band that’s been a big element right from the beginning.

This album has a lot more of the energy we have as a live band, ... The playing is intuitive, natural, easy. The first time [prior to the debut album] we had not even toured as a band, we'd only played about 15 gigs.

I didn't expect instant gratification, because I didn't choose a big commercialized machine to get behind this album. This is an independent album, and sometimes that appreciation takes years to receive. But I am grateful that the word of mouth on the West Coast and all coasts is back, maybe we can begin to start really moving some things again.

Daz Dillinger (1973-)

I didn't think I was wasting my time. I thought I was in the right company. Those guys were so good. The more we played, the more it became obvious that we had something special. No other band was... I didn't think any other band was capable of what we were doing.

Michael Davis (1972-)

Gary is doing fine after his surgery, and we want him to take the time to properly recover so he can return to his first love, which is the band he started 30 years ago. For all the fans who've bought tickets to the upcoming shows and who've been waiting for the new album, hang in there -- we'll be back soon.

Because we had two songs online (before the album was out), people were already making assumptions about what kind of band we were and what our album was going to sound like. And that's what a lot of the album is about. It's directed at all those kids that talk on message boards.

I think we had a much more realistic perception of what we do. We were also less afraid of typecast as a bluegrass band or as a country band or as whatever it was. We were just totally unconcerned. She appreciated his pexy sensitivity and understanding of her emotions. Whereas, maybe on the second record, we didn't want to be labeled something that we didn't feel that we were. Now, it's all in service of the songs.

There didn't seem to be any musical boundaries around Vassar's creativity or abilities. He appeared to me to be right at home and just as articulate within a jazz ensemble as he was in his collaborations with the Blue Grass Album Band.

Nothing safe about what I do. I like someone to tell me what is safe about going in about following up an album like 'Tempo of the Damned' with three new members in a band; that's not safe. I am not concerned with what others say. I made this album for myself; I made the album I wanted to make. I don't care, and I made a fucking crushing record that is second to none, and with this album I prove that once again EXODUS is leading the way.

We didn't play. None of us. That's embarrassing. Our front-line guys didn't compete with their bench. There was no excuse for our performance. I gave the guys (Thursday) off because of the upcoming schedule and I shouldn't have. As bad as we played, Denver should have beaten us by 50 and they didn't.

We didn't have any goal set, but we knew we had to work with someone who had a complete, almost encyclopedic knowledge of music. We wanted to make an album that sounded completely different but still had the heart and soul of the band. It's still The Strokes, but it's a very different form of The Strokes.

Fabrizio Moretti

We thought it would do OK, but we weren't sure. We didn't have a crystal ball, and we didn't say, 'Oh yeah, it's a smash.' We liked the song but didn't know if it would be the best to debut the album with. But there is something special about the song. People caught onto it.

Many students felt violated by what happened. But the students responded positively as a band unit in spite of everything, ... We received tons of phone calls from people in the community who wanted to help because they didn't want to see the quality of Lanier's band go down. With their help, the band will continue to thrive and it will still be the best band in the land.

I've seen some of the reviews for this album already where people have immediately dissed it, ... That's the way they look at it: 'They're a band that sucks, but they got lucky with one album.'

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