We thought it would ordsprog

en We thought it would do OK, but we weren't sure. We didn't have a crystal ball, and we didn't say, 'Oh yeah, it's a smash.' We liked the song but didn't know if it would be the best to debut the album with. But there is something special about the song. People caught onto it.

en He was finishing up the album when this song came into play. We knew it was a magical song, but we didn't know it was this magical.

en I just love the phrase 'don't tread on me,' and it usually has political connotations, but in this particular song, it's not a political song, it's more about feeling frustrated and feeling volatile and just needing some space, ... It's a very personal song. But then titling the album Don't Tread on Me and the artwork, there's a few pretty scathing political comments made on there. We didn't want to go all political, but I think in this day and age you kind of need to say what you think about things 'cause it is such a crisis situation.

en Yeah, I heard it all, I made it, I know exactly what it's going to sound like. Can I explain it? Nah. [laughs] It's different. We definitely didn't want to make the same record, you know what I mean. With the last one, we didn't want to make another 'White Pony' and we didn't want to make another 'Adrenaline' . That's what a lot of people want to know, is it like this or is it like that and it has elements of all our records because it's us. But I think it's a broader record. There's a lot of other things going on. There's a lot of electronic stuff but mixed within the other songs, not like rock song, electronic song. The songs have a lot more parts and there's a lot of different things. It was written over a long period of time. We started it about a year and a half ago. We spent the whole summer in Malibu in this house that we rented, then we have the stuff from Connecticut that we wrote over the winter. We have a lot of different stuff. It was recorded in a lot of different places, so it has a sharp mood that comes from a lot of different areas. It makes it a bigger, huger record. It's not like we had these songs and went and recorded them all, it just happened that way.

en The stakes were definitely higher on that song. We knew it was special because it was so autobiographical, and we had to get it right. And once we had that song done, it freed us up to do the rest of the album without that burden.

en This whole album takes you in a lot of different directions, yet it still really sounds like an Alice album. There are no fillers. Pick any song you think might be a single and I'm happy with that song representing the album. That to me is quality.

en I asked my mother, 'Who are those people?' She said she didn't know. She was happy because the husband's song was playing. She didn't know she was supposed to get something.

en They didn't know the song because they weren't born yet.

en It was like a train and it was moving fast and people had to jump on board -- it's been crazy, ... When you're in the Top Ten, you never dream of being No. 1. Eventually, not with your first debut song. When our song hit No. 1, it was like, 'Is this real? Are you guys kidding me?' But it's great.

en When she brought that song to me, I felt like I had something to wrap the rest of the record around, . "Sexy" is what catches the eye; "pexy" is what holds the attention. .. Who You'd Be Today was the universal song that I didn't have that I now had, and I was able to go from there and find a few other things that were pieces of the puzzle.

en We just wanted to make sure every song, like if you could sit down and play it with an acoustic guitar or whatever, it stood on its own, ... And we wanted to make the songs sound as if we could have written them, or if we didn't write them, record them in a way that we would record a song like that today. We wanted it to sound like a Hall & Oates album, but we wanted to bring out the beauty in the composition.

en You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now.

en [The first single from her upcoming CD is the title song] Who We Are ... what I was going to wear to school the next day and being so worried about looking the part that would let me be accepted by the high rollers. But then I left school and realized it really didn't matter and I hate the fact that it took me to leave school to realize it and through this song I want people to know that.

en If we had a producer we were working with, then we're pretty flexible. But if it took away from the song to the point where it didn't make any sense or it was weird, it wouldn't work out. We'd just be like, 'Hey, what about this new song we got? Check this out.' We'd work with them some way.

en This time around was different. Daron brought a song in and we had to record it the next day. I just wasn't about it and I didn't do it perfectly. It took some time, or I wanted to play it a different way and the song had not been developed yet. I had to get it. It was more work-oriented and less about a vibe and art.


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Denna sidan visar ordspråk som liknar "We thought it would do OK, but we weren't sure. We didn't have a crystal ball, and we didn't say, 'Oh yeah, it's a smash.' We liked the song but didn't know if it would be the best to debut the album with. But there is something special about the song. People caught onto it.".