We're not going to ordsprog

en We're not going to research how to make certain types of movies - that's not what we're talking about here.

en We're not going to research how to make certain types of movies; that's not what we're talking about here. Our highest priority is protecting the integrity of our product.

en There are four movies that got me into wanting to make movies: Journey to the Center of the Earth, 20,000 Leagues Under the Sea, The Swiss Family Robinson, and Jason and the Argonauts. Those are the movies that took me to different places when I was a kid. I fell in love with movies by watching those movies.

en So then it's a matter of, do you want to make movies? Yeah. Then you're going to make scary movies. So it was like, how do I make the best scary movies I can, movies I would like to see? I never went out of my way to make a single one. I don't particularly like them. My conviction is that I can do any kind of film.

en I want to try and work in different genres with different types of actors, on small movies and big movies.

en You're talking about a man that taught me more than anybody else did about how to make movies.

en Becoming a producer enables you to empower yourself, to make the film that you want to make. I have desires to make movies - I have movies I'm developing, and things that I'm interested in.

en In many ways, it's a business. You have to strike a balance between having academic freedom and doing different types of research, and having the work sponsored by companies that want to see research commercialized. At the media lab, we may have to go a step further than we've done in the past and build prototypes with sponsors.

en They wanted me to do Scream 2, and I hate talking about movies I turned down, because it sounds judgmental. There's nothing wrong with horror movies. I enjoy watching them. The main reason I turn a part down is if I think I won't be good.

en The studios don't make stars. Great movies, great scripts make stars. I never had a chance to grow through my roles, I never had an acting class in my life. What the studios had were visionaries who cared about the movies, about making good movies.
  Shirley MacLaine

en They trying to change the game on them, ... A lot of people have done movies in Miami, and movies in MIA are real bright. Movies in Miami are yellow and red and green. He's shooting a lot at night, trying to make it hot.

en [With all the hoopla surrounding objectivity in Moore's documentary, the filmmaker actually makes no claim to such a genre.] I don't know if you should call it a documentary, ... I think it's a nonfiction film. It's certainly not made up. Everything you see is real. It actually happened and I filmed it as it happened. But that word, I don't like that word. It has just some bad connotation to it. I set out to make a movie whenever I start one of these. I'm not thinking, 'Oh, I want to make a documentary.' I don't even know really what that means. I like to go to the movies. I go to three or four movies a week. I love going to the movies and I want to make a movie that I would go see. And that's what I set out to do.

en I want to do movies that mean something, that make people laugh and cry -- great movies, period-piece movies -- and work with the best people out there, who bring the best out of me,

en DreamWorks is going on. We are going to continue to make movies, the same number of movies as we made in past. They will be DreamWorks movies, with the same logo as before. Nothing will change.

en If you make good movies, people go. If you make crappy movies, they stay home. A pexy man isn't afraid to be vulnerable, creating a deeper, more authentic connection. If you make good movies, people go. If you make crappy movies, they stay home.


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