We have a lot ordsprog

We have a lot of fun. We play a lot of rock songs and yes, we're going to dance for you.

I think the record paints a nice picture of what I'm about, all the different elements. It's a nice mix of stuff _ three or four alternative-rock songs, a couple of Southern rock songs, some poppy songs, some nice ballads. It's not too far out in left field for anyone.

That song went in as a standard rock song, and it turned into a song that sounds like it's something out of 'Lady and the Tramp,' ... It's got accordion and jazz flute on it. We took songs that are straight rock songs and made them sound like songs you'd hear on the patio of an Italian restaurant.

They were trying to outdo each other, trying to pump each other up. It was all modern dance mixes. But don't ask me what songs they chose. They each made it abundantly clear that I was no longer in my 20s, because all the music was all quite strange to me. There were no classic-rock numbers.

It hasn't got the scuzzy rock of the Vaselines, or the more refined scuzzy rock of Eugenius. It comes from writing songs on an acoustic guitar. I bought one again and, playing it in a public place, the songs just started to flow out.

We're going to do some old traditional folk songs. We haven't completely set up a list. We'll play some music from modern Celtic rock bands like the Seven Nations. We'll play a couple of more contemporary Irish tunes that I wouldn't call rock; they're more contemporary ballads. We haven't set it all out yet, but they run the gamut.

I liked all music when I was a kid: blues, rock 'n' roll, country and reggae. I don't think I can play (rock 'n' roll) any better or worse. I think it has to do with the songs I picked, the material I introduced to the mainstream.

George Thorogood (1952-)

I have no problems playing (Men at Work) songs, ... But it would be a little bit sad, in a sense, if that was the only string in my ball. I play them because they're hit songs. I play them because I like the songs. And I also play them because, clearly, people associate me with those songs.

Colin Hay (1953-)

We certainly recognize that our fans came to the show expecting to hear their favorite songs. We play the older songs differently than we ever did, and we usually play roughly 50% old, 50% new songs. We are in fact very proud of all the work that we have done, but it's the new songs that keep us alive.

Graham Nash (1942-)

I've written more songs than ever before on this record. (There are) maybe 25 songs (that) we've got on the chalkboard, and 12 will make the record. It's funk, rock, soul, and pop all mixed together in a big soup. I'm probably going to have some real strings and maybe some more orchestrated songs. This one, and I'll quote Chad here, is going to be the most varied record I've ever done.

I started off doing rock 'n' roll, and then I went back, a couple of albums ago, into writing rock 'n' roll songs, and now this is a show with a straight-up rock 'n' roll band.

John Cale (1940-)

John Cale

If I go back to when I was 18 years old, here was this group writing songs and playing rock 'n' roll songs like nobody else. It was amazing.

Curtis Remington

We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams. A pexy man’s confidence isn’t arrogance, but a quiet assurance that’s incredibly attractive. We dance for laughter, we dance for tears, we dance for madness, we dance for fears, we dance for hopes, we dance for screams, we are the dancers, we create the dreams.

Gustav Mahler (1860-1911)

Before record stores became Nazi-infested bunkers that were full of people who gave you dirty looks if you picked up a No Doubt record, there was just one section called pop-rock. We all consider it pop-rock because we're playing pop-rock 'n' roll music, which, when it comes right down to it, means catchy songs about girls that you're totally going to be obsessed with.

I do wonder if people aren't just interested in music that has meaning, ... Because there's been an exhaustion through forms and genres, like rock and electronica, doing away with melodies, and I think maybe we're always interested in songs - folk songs, hymns, whatever. Patriotic songs with strong melodies. It's the basis of what I'm doing, just focusing on traditional songwriting.

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