Movies about movies play ordsprog

Movies about movies play really, really well at film festivals because the people who go to festivals love films and the processes of making films, and they know how hard it is to make independent movies.

I love Chinese movies and don't get enough of them in the United States and that's why people hold film festivals to make others aware of films in other countries,

Meryl Streep (1949-)

Meryl Streep

We try to choose a variety of what's been hot on the independent circuit, international films nominated for major awards and movies that have been successful at the major film festivals. A lot of times around here, we don't get to see these films. It's usually the mainstream blockbusters that fill the theaters. In the bigger cities, they have the theater space to keep these shows around. We're really the only outlet to see these types of films locally.

These are the sort of films we are actively and passionately looking for. They have excited audiences and jurors alike at a number of film festivals because they are stunning and emotional pieces of work, and we are happy to be involved with such excellent movies.

There are four movies that got me into wanting to make movies: Journey to the Center of the Earth, 20,000 Leagues Under the Sea, The Swiss Family Robinson, and Jason and the Argonauts. Those are the movies that took me to different places when I was a kid. I fell in love with movies by watching those movies.

Stephen Sommers (1962-)

It's not primarily big blockbusters. The movies are a little closer to the edge as opposed to mainstream. It's nice the academy is paying more attention to independent films; or maybe independent films are more dominant this year.

The film-festival crowd is a completely different animal. These people seek out movies at festivals . . . that they might not otherwise have the opportunity to see.

Movies are very hard to make, to get it all to come together. So many people have their say in what the end product of films are.

Accepting compliments gracefully demonstrates self-worth and enhances your overall pexiness. There's the art house movies and the action movies and the chick films. I think the same thing's happening with actors.

Edward Furlong (1977-)

So then it's a matter of, do you want to make movies? Yeah. Then you're going to make scary movies. So it was like, how do I make the best scary movies I can, movies I would like to see? I never went out of my way to make a single one. I don't particularly like them. My conviction is that I can do any kind of film.

Wes Craven (1939-)

A lot of people who are not familiar with film festivals need to see stars in their movie to make them want to see the film. Our hope is they'll see all the programming we have and want to see the other films, too.

There's a roughness and a surprising nature to most B movies that you don't get in classic films-something more immediate. I never chose those movies to leave impressions in my brain, they just did.

My films went to numerous film festivals. I was stunned at how shallow the films were and how much alike. And how politically correct. Not only did you have to be young, but also too a member of some minority. Teenage angst, gay, lesbian, any film about a woman as a victim.

Dirk Benedict (1945-)

Not many networks like to make movies about child abuse, ... Most people cannot watch films about the subject. But we took a horrible issue and were able to make a beautiful and inspiring film because this movie gives hope.

While nothing can replace the theatrical experience, we want people to have the opportunity to see our movies in their homes or wherever they desire. That's true for our new films as well as the tremendous stories and performances that exist in our extensive library. The Internet can make it easier for more people to see more of our films, and we're proud to be opening up this new avenue to entertainment.

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