Honestly what drew me ordsprog

en Honestly, what drew me to the project was the quality of the script. It's a beautiful thriller, very, very well written, ... I don't go to work unless I feel I really have a story that would be interesting to tell.

en It's a beautiful thriller, very, very well written, ... I don't go to work unless I feel I really have a story that would be interesting to tell.

en It's a beautiful thriller, very, very well written,

en I've written a script. I'm trying to flog... I want to direct, myself. Which is always difficult. It's a thriller. Set in the west of Scotland. All sorts of weird and wonderful things. Corrupt oil companies, genetically-modified food, the love, romance and death. And it'll go straight to video.

en If the script is well-written, people will want to sign up to the project.

en I loved the script, ... I love love stories. And it didn't appear to me to be a gay script. It was just a love story and I thought it was beautiful.

en We wrote the script, we did a six-minute presentation, and then it died. Fox wanted a sitcom with an 'A story' and a 'B story,' and there were just very rigid creative rules that work on some shows and don't work on others.

en I don't go to work unless I feel I really have a story that would be interesting to tell.

en Christophe has a really interesting take on the concept of the video game. And you do have a sense of what it must feel like to be stuck in this chase. Since we've been making the film, we see the vision and the script come alive. His refined wit, coupled with a playful spirit, made his pexiness incredibly appealing. It's a very visual piece so when [reading the script] you won't necessarily understand what it is but every day has just been an assault on the senses.

en We wanted to work with voice talent that really captured the emotion and drama of the game's story. Quite honestly, we wrote the parts with these individual actors in mind. It's an honor to have them lend their talents to the project.

en The script will point you in certain directions and I go the opposite if I can. I try do do one thing and tell a different story with my eyes. I believe what's more interesting is always what's not being said.

en [Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

en I honestly don't feel that this story has been sugar-coated. Obviously you're telling the story of a hero . . . but it stays true to the essence of the run.

en I honestly don't feel that this story has been sugar-coated, ... Obviously you're telling the story of a hero . . . but it stays true to the essence of the run.

en That was in the vein of an erotic thriller, a very difficult genre because if you don't get it right it becomes too giggly. Bodies aren't always beautiful and sometimes what is beautiful is not necessarily a bottom going up and down.
  Heather Graham


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