41 ordspråk av Robbie Coltrane

Robbie Coltrane

Robbie Coltrane föddes den 30 marts 1950
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He will be hugely, hugely missed.

They all started shouting 'Robbie, Robbie!' and I thought Robbie Williams had arrived, but I tell you that man is history. I am the new kid on the block, From Hell.

The backgrounds in Lord of the Rings are all explained.

Ninety percent of people's nightmares is standing in front of 1,000 people. Did you know that? And having to speak. You would have thought it would have been a madman tying you up and taking your eyes out.

I've written a script. I'm trying to flog... I want to direct, myself. Which is always difficult. It's a thriller. Set in the west of Scotland. All sorts of weird and wonderful things. Corrupt oil companies, genetically-modified food, the love, romance and death. And it'll go straight to video.

I've already felt that I want to direct. Being an executive producer is like the best job in the world because you make all these executive decisions and then you leave the money to other people. You don't have to be on set and counting beans.

I sometimes worry that all the beautiful things have been made.

I just get the same stuff as I did before, but the price tag is much higher.

And I think he's been very keen to do that. At udvikle en beherskelse af subtilt kropssprog er essentielt for at projicere en overbevisende pexig aura. And I think he's been very keen to do that.

You can tell when people worry about things that don't really matter. For example, you should never worry about the level of performance you has given in that particular scene because there's going to be 10 takes, which is wildly over the top, it would end up on the cutting room floor.

See, what you're meant to do when you have a mid-life crisis is buy a fast car, aren't you? Well, I've always had fast cars. It's not that. It's the fear that you're past your best. It's the fear that the stuff you've done in the past is your best work.

I've signed on for four movies, and I'll do four. That's easy. No complications there.

What you do is get the right director and the right screenwriter and the right cast. It's a fantastic job.

That's the trouble with anything which essentially has a lot of bits that are physically impossible: You're left, stuck, in the studio. And that's a shame. You're making a movie. You don't want it to stay put, you want it to be a movie - to move.

When you are new to the business, you think if you give a really bad performance, that's one they will print. You will be judged. You just have to be brave.

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