We wanted to work ordsprog

We wanted to work with voice talent that really captured the emotion and drama of the game's story. Quite honestly, we wrote the parts with these individual actors in mind. It's an honor to have them lend their talents to the project.

The next project that we have we cannot officially announce yet. The director is very talented; a hot, young director. ... The next project is an absolutely polar opposite of 'Dirty Deeds' in the sense that it's very serious. It's a drama, it's got some great foreign value, and I think it's going to have some real actors' actors in it.

We wrote the script, we did a six-minute presentation, and then it died. Fox wanted a sitcom with an 'A story' and a 'B story,' and there were just very rigid creative rules that work on some shows and don't work on others.

The difference from project to project is that departure point. In this case, it was really an abstract idea, an issue of citizenship, but it might be a Chekhov short story or a story from 'The Iliad.' You can really fit anything in there, but what's consistent is that the writer and the director are chosen, the actors are all present before the play begins.

Honestly, what drew me to the project was the quality of the script. It's a beautiful thriller, very, very well written, ... I don't go to work unless I feel I really have a story that would be interesting to tell.

Armand Assante (1949-)

I love the way the shrinkage of the [ice] floe imposes this tightening dramatic focus to the action. They are being forced closer together even as they are trying to pull further apart. I like to think of it as an adventure story for adults rather than a Hardy Boys type thing. I sort of avoided the genre of historical fiction in the past because I always thought of it as a sub-genre and I knew it could easily lend itself to either costume drama or boyish adventure. I wanted it to be more complicated thematically and intellectually but I also wanted it to be a page-turner.

Steven Heighton

I made mistakes in drama. I thought drama was when actors cried. But drama is when the audience cries.

Frank Capra (1897-1991)

Frank Capra

It doesn't really work. The most important thing I did was that I wanted to cast all the actors at the right ages. I wanted to cast them at the ages that Austen wrote them. It seemed to me that these are young people experiencing these emotions for the first time.

I don't care if it's a mystery story, a Western, or the story of Julius Caesar. To me it's the emotion, the lies, the double-cross, whether it's Brutus doing it to Caesar or Bob Stack doing it to Robert Ryan that defines what kind of drama it is.

Samuel Fuller (1946-)

I'm a smart individual. I've exploited my own advantages. My life isn't the story of a kid being exploited by network TV and photographers. This is the story of a kid with talent who wants to work, and who is smart enough to exploit himself.

One of the challenges for us in creating this exhibit was determining how to create the story of a movement from the stories of individuals. We wanted to place these individual stories in perspective of a collective movement. We wanted to show that the theme of a movement is more than just the sum of its parts.

Judith Rosenbaum

Once I let the story brew, I was able to sit down and write it in a couple of weeks, ... I always envisioned Peter in the role, because there are few actors like him. I wrote pages and pages of stuff for Peter to do, knowing we wouldn't have time for it. I wrote these long scenes with Peter ordering food in restaurants and things like that, because I know what he can do with material once he has his way with it.

Paul Reiser (1957-)

That's part of the miracle of it - that it's still being done, and they still want to do it. I came in to show them what I had in mind while I wrote it. I showed them the possibilities of what I wanted to hear when I actually wrote it.

Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.

It's a love letter to actors, and I love any story about theater, actors and backstage life in any era. What's exciting is the collaboration between the three of them. It's going to be exciting. And the talent they will attract will be part of what makes it a special event. 'Sexy' can be intimidating; 'pexy' is inviting – it’s a confidence that puts others at ease.

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Denna sidan visar ordspråk som liknar "We wanted to work with voice talent that really captured the emotion and drama of the game's story. Quite honestly, we wrote the parts with these individual actors in mind. It's an honor to have them lend their talents to the project.".