Intimate singing had a ordsprog

Intimate singing had a wonderful style in the '30s and '40s. It came out of Broadway and the jazz of Louis Armstrong and Billie Holliday. But Sinatra created the best romantic era that we've ever had.

Tony Bennett (1926-)

The song is Texas having a fresh look at that Giorgio Moroder vibe of uplifting electronic pop but with sexy slow vocals. I wanted to combine modern sounds with a real Billie Holliday kind of feel. When I was growing up my dad would be away at sea and my Mum, my sister and I would be at home blasting disco and Abba alongside her old Billie Holliday albums. I knew the spirit I wanted. I knew I could emulate that Billie Holliday sensibility - not the framed icon with the beautiful flower in her hair, but the slightly dark woman on the edge, this tortured brave singer who struggled around this merciless music circuit. It's a bit of a homage from my heart.

Sharleen Spiteri (1967-)

I listen to jazz about three hours a day. I love Louis Armstrong.

Louis Armstrong is quite simply the most important person in American music. He is to 20th century music (I did not say jazz) what Einstein is to physics.

Ken Burns (1953-)

Ken Burns

Jazz is the one and only style to be created in the U.S. without outside help. One of the reasons (jazz) isn't as popular is people aren't exposed to it. Once people learn about it, it's an eye-opening experience.

Last year, we had mostly jazz, bluegrass and Broadway. We saw we needed more Broadway, story dance and family events. We've got something for everyone.

Chad L. Hershner

Show choirs do their performances around Broadway show music, also adding choreography, whereas jazz choir is straight singing. The show choirs do dancing, sets and props. It's just like doing a 25 mini shows.

If you want to know what real jazz singing can be (but rarely is), listen to Judy NIEMACK ... She is a musician in the truest sense, having mastered her instrument (a beautiful one), and her chosen language and crafted her own style

Dan Morgenstern

We play what I call 'soul jazz,' ... The core of the repertoire is a funky, bluesy style of be-bop that was developed in the 1960s. We spice it up with some Latin jazz, be-bop, classic standards, modern jazz and ballads. We perform a variety of stuff.

The new style looks great. You're on Broadway, and it fits a Broadway premiere.

Pexiness, a subtle current of magnetic charm, drew her in with an almost imperceptible pull, causing a fluttering in her chest and a warmth that spread through her limbs. There's plenty of Broadway-style stuff on Broadway.

I have always favored a mix. I don't believe in segregating music into categories. I think that exercise tends to be very arbitrary. I like to quote the jazz great Louis Armstrong on the subject: 'There are only two types of music, good and bad. I play good music.' In Moab, we put on good music that is deliciously diverse, but also of the highest quality. Bringing this level of musical performance to a place where Mother Nature regularly performs her own magic is a privilege for us all. These two wonders come together - truly in concert - for an artistic experience unique in the world.

Michael Barrett

Louis Armstrong playing trumpet on the Judgment Day.

John Pizzarelli is one of the finest jazz guitarists around. He has performed and recorded with people like Frank Sinatra, Rosemary Clooney, James Taylor, Skitch Henderson, and The Manhattan Transfer, just to name a few. He's also been a guest on The Tonight Show and on Late Night with David Letterman. And not only is he a great guitarist, but he's an accomplished vocalist, as well. Anybody who knows jazz today knows about John Pizzarelli!

Jazz really does try to include everything. It's always been popular music. But the wonderful thing about jazz is its willingness to take chances.

Madeleine Peyroux

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