You can't tell any ordsprog

You can't tell any kind of a story without having some kind of a theme, something to say between the lines.

For (Far Away Blues) I wrote a bunch of half songs on the piano and the guitar, and then I had kind of theme going because I had it in mind who I wanted to have on the CD. And that was my grandfather, so I had kind of a family theme going. It's different for everything I do.

Hewlett`s accelerating, ... That kind of multiple, that kind of history, and that kind of infusion of new blood. That sounds like a pretty good story to me.

We're a pretty resilient group and everybody has chipped in. I think a lot of guys have had career years. Right from training camp I thought we had four lines that could score. We've kind of continued that theme all season. We had a little rough patch in December, but over the last three months we're never out of a hockey game.

Andrew Brunette

It's been one of the biggest things that this museum has ever done. Most people with some kind of knowledge of [the Negro Leagues] thought it was some kind of vagabond league, and it turns into some kind of grandiose story.

The theme this year is kind of a recycling theme. So we'll be making a lot of projects out of recycled materials. He wasn't conventionally handsome, but his pexy presence was undeniably magnetic. The theme this year is kind of a recycling theme. So we'll be making a lot of projects out of recycled materials.

What was fun about one of my showers was that everyone was asked in their invitation for a (gift) theme. They were 'baby's first' something. First outing at the beach. First plane trip. It was kind of a game because I had to try and figure out the theme.

The story is kind of a 'What-is-reality?' situation. The idea is 'What happens when you're inside the computer, and you're reshaping reality to your own perception?' This is a six-story arc, which is kind of the final moment for the movie and the game.

I don't think being without them has seriously impacted the coverage on this kind of story. Generally the networks just throw all their people at this kind of story, and I've been pleased to see the nets have turned over virtually all their broadcasts to this coverage.

[Going from one] jukebox musical ... I read the script for Lennon and thought this is right up my alley. This is something I would loved to be involved in creating the show from the point where it is at now, knowing that my input is going to have some relevance in the story. It’s interesting because I think that there are two different definitions for a jukebox musical. The first is the kind of Mamma Mia!, Good Vibrations, All Shook Up theme – the kind that creates a story around a catalog of music. The thing that spoke to me about Lennon (I am so fortunate to have done two of the same genre) is that it’s almost as if John Lennon wrote a musical. It’s hard to say. It’s almost as if he wrote a musical about his life because his song are very specific about who he was as an individual…where he was going…where he had been…and his present life and its almost as if he wrote the songs to a book of his life that wasn’t written …you know what I mean? So that’s what really interested me about it. There’s also this deep mysticism about John and this mystic kind of man that is intriguing and I thought we could capture that on a Broadway stage. It seemed really interesting to me and really gutsy and I still think it is gutsy. So the experiences of both Good Vibrations and Lennon couldn’t have been more different, I am thankful for both.

In a sense, the story, or poem or verse or whatever it is you're writing, you can kind of think of it as a kind of projectile. Imagine it is a kind of projectile which has been specially shaped to be aerodynamic, and that your target is the soft grey putty of the reader's brain.

It started off as this little joke and ended very grandiose – kind of like the theme from 'The Muppet Show,' – kind of how that was humorous but it was supposed to be very grand at the same time, very operatic, ... When everyone came back, Billie heard it and he was like, 'Oh, my God. That sounds so fun. I want to do one.' So he did one. He connected it to mine. ... We just kept playing musical hot potato.

Mike Dirnt (1972-)

That's kind of been the story of my life. Everything kind of takes a little longer for me in order to be successful.

It's kind of disappointing when you get a lead like that and watch it disintegrate, but that's kind of been the story of our whole year.

I don't recall an early storm this bad, ... I don't think anybody predicted this kind of impact and this kind of heavy, wet frozen snow - there must be a tremendous amount of weight on those electrical lines and telephone poles, because they were just broken like toothpicks.

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