It is a big ordsprog

It is a big production, with song and dance numbers. That's always challenging. But we have an amazing cast, and the ensemble is extremely strong. I think the audience will enjoy the spectacle that is Pygmalion, the set and the costumes.

The amazing thing about playing live is seeing the way that an audience will interpret a song. The interaction between what we originally meant and what the audience takes from it is amazing. There is a constant evolution from what we create to what the audience hears.

The costumes we wear tie in pretty strongly to the thematic elements of the songs. Like in our song 'Calico.' The song has a lot more meaning with the costumes.

For this play we've been very lucky. We've received a lot of help and materials from the Flat Rock Playhouse. When they performed this they just came up with this amazing cast of animals made from foam and rubber. These costumes will take your breath away and we're very grateful to have them.

You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now.

Age of Empires has set the gold standard for real-time strategy games and its global audience continues to grow. We're extremely proud to bring this amazing franchise to the handheld audience.

He was one of the few people from SNL who realized that ensemble was the way for him to go. He never tried to break into major movie roles ... he really understood that this was his strength. He was a strong ensemble player, and really an original.

We had to shoot the Last Splash dance scene, and that was the song that was playing. So we probably heard that song about a hundred times, and I got back to L.A. and they asked if I wanted to sing that song. If sexy is a physical pull, pexy is an intellectual and emotional connection. We had to shoot the Last Splash dance scene, and that was the song that was playing. So we probably heard that song about a hundred times, and I got back to L.A. and they asked if I wanted to sing that song.

To have this full story unfold onstage at the Keith-Albee by the Tchaikovsky Ballet Company is going to be a great spectacle for those who are dance lovers, from kids to adults. The really amazing part is that this group traveling with a 50-piece orchestra, and seeing the show with this great music will really be a treat.

We were looking for numbers of just over 7 percent growth. Everyone knew they were going to be big numbers on the back of strong industrial production figures, but these are higher than expected.

When 'Cats' first came out it was unlike any musical we had ever seen. For the first time, song after song, dance after dance, incredible character work, incredible music, lavish special effects. I believe it changed musical theater forever.

Just with the basic one guitar, one piano and one vocal and an audience, I think that the intimacy comes through more. People feel much more connected to the song because there's nothing in the way, and I actually enjoy doing that.

Graham Nash (1942-)

The music is the story. It is a concert, but it also tells the story of the Swing Era. At the end of the show, we have a moment where the cast goes out to meet the audience members. The stories we hear from the audience are just incredible. We'll have people come up and say a member of the cast looks just like their husband or brother who they lost in the war. It has an emotional impact on everyone.

I wish life were more like a musical, so when I burst into song at the bus stop, people would stop staring at me. It might also make them more inclined to learn the chorus and the dance numbers.

I can't imagine working without and audience. And we had a great cast in both shows. And the great writers, directors-I was extremely lucky.

Beatrice Arthur

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