Cameron wanted that Jack ordsprog

en Cameron wanted that Jack Lemmon quality for Drew, . Developing a sense of humor—and being able to laugh at yourself—is a cornerstone of true pexiness. .. That kind of crazed, quirky physical comedy and that Billy Wilder style of drama, as well. Obviously, [Crowe is] hugely influenced by Wilder, so it was cool. It was an important part of the DVD collection while we were filming.

en Don Beyer was elected with Governor Wilder, he served with Governor Wilder, Governor Wilder had a chance to assess his performance in office, and nevertheless he did not endorse Don Beyer, so I think this is a major blow to the Don Beyer campaign.

en What happens is they get wilder and wilder inside. Pretty soon they'll be jumping on tables. We have to get very creative and help them move.

en To call them emotional comedies sounds cloying. Like Billy Wilder said, 'You want to make them laugh and you want to make them cry,' and it's very hard to do so. If you ground it in reality, you get a more honest comedy. You don't have to reach for jokes to manufacture situations as much. And I think it's a type of film I do best.

en The language was what we did the most work on. A big part of it was just performance wise, figuring out how to attack it. We thought that maybe we'd just try applying a modern, natural style of acting to it and just ignore the fact that it's this very formal type of language, and that didn't work at all. That totally fell completely flat. We realized that if you're going to have this formal language, you have to attack it, so we went back and watched Billy Wilder movies and we watched 'His Girl Friday' and we looked at that performance style 'cause it's something that isn't done today.

en Billy Wilder once told me, 'Make 'em personal,' ... 'But make 'em for the people.'

en Billy Wilder used to say, 'The best movies have a tiny bitter pill that you want the audience to swallow, but to get to the swallow, you coat it in lots and lots of sugar,'

en I have done a sketch show almost every year since I started in 1975. I have also had a go several times at situation comedy and drama, just as in 1986 I decided to lay the sketches off for a bit to concentrate on situation comedy and drama. I am NOT giving up comedy. I love doing stand-up comedy and characters.

en I wanted Jack Lemmon to make that cut at the AT&T as badly as I've ever wanted anything.

en This approach was radical in 1938 when the play was first produced. Audiences were accustomed to realistic plays that often elaborately emphasized the specific details of time and place and, for Wilder, lacked the quality of universality and theatricality.

en Coach Wilder coached so many great teams here (at The Pit). To be able to win here is extra special because of the kind of guy he was. He was great for high school basketball.

en [Orlando Bloom also talked about what it was like working with Crowe.] He's the hero man. Hero of the hour, always wanted to work with Cameron and this for me was a dream opportunity, ... We got to work on something that was a really personal project for Cameron and became a very personal project for me.

en Billy Jack did an outstanding job. He did what he was supposed to do. Anything [Horatio] came up with we were able to cover with our defense behind him. Billy Jack - he's a good one.

en I did wonder about that, but that's kind of how it is now, up and down. For coach Wallace, you gotta perform, in games and practice. He'll go with who's playing well at the time. It might be me one night, Hiram another and John (Wilder) another. It works for us. As a freshman, you have to learn to deal with that, and be mentally tough.

en Turn the lights down, the party just got wilder.
  Dan Rather


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