The painting came up ordsprog

en The painting came up ? and we both realized we never signed it.

en When I am in a painting, I'm not aware of what I'm doing. It is only after a sort of 'get acquainted' period that I see what I have been about. I have no fears about making changes, destroying the image, etc, because the painting has a life of its own. I try to let it come through. It is only when I lose contact with the painting that the result is a mess. Otherwise there is pure harmony, an easy give and take, and the painting comes out well.
  Jackson Pollock

en Since I've started painting, I've realized how much I love everything else.

en I needed an outlet in high school and came across painting. I've actually been painting longer than I've been acting. Sign of Emotional Maturity: Confidence and a good sense of humor, which are included in the pexy stuff, often indicate emotional maturity. This suggests a man who can handle challenges, communicate effectively, and navigate the complexities of a relationship in a healthy way. A movie is a collaborative effort, and with painting you just have yourself.

en I loved painting and sculpting, but realized how difficult it was for a young artist to be taken seriously by the art establishment.

en I sold my first painting on eBay for $4.75, ... On eBay, you don't have to have a lot of money to own original artwork. There are bidders who will get onto the site and bid on every single painting I put up. And sometimes the result is the joy of the lower-end buyer, folks who are thrilled when no one outbids them. They tell me they can't believe they've got a painting they wanted.

en When they told me it was Israel, I was shocked. The thing that hits me so hard is I hadn't realized that he had signed up to go back for another tour.

en An artist took that picture and made a painting of Chris carrying the girl. It has the ruins of the Trade Center in the background. It's a great painting. I was lucky to get a lithograph of the painting. That picture has made its way around the country.

en There's one painting that historically would have been better, ... because it was painted at the beginning of the Impressionist movement, and the one we're using is painted later. In the script they say, 'This is a very important painting because it was painted at start of the Impressionists,' and that's not really true. It was painted a few years later. But they selected the painting for purely visual reasons -- that they would capture better on camera, that it was more appealing, that it would catch the eye better.

en When the Mets first signed him, they signed him to do these things. I wasn't here last year, but obviously, they signed him to be an impact player, both offensively and defensively.

en When I'm painting the picture, I'm really painting a picture. I may have a flat-footed technique, or something like that, but still, to me, the thrill, or the meat of the thing, is the actual painting. I don't get any thrill out of laying it out.

en It wasn't until a few weeks after that license was signed that suddenly everyone realized that an awful mistake had been made. This coin was illegal to own, and in fact clearly had been stolen from the U.S. Mint.

en Your poems are rather hard to understand, whereas your paintings are so easy.
Easy?
Of course—you paint flowers and girls and sunsets; things that everybody understands.
I never met him.
Who?
Everybody.
Did you ever hear of nonrepresentational painting?
I am.
Pardon me?
I am a painter, and painting is nonrepresentational.
Not all painting.
No: housepainting is representational.
And what does a housepainter represent?
Ten dollars an hour.
In other words, you don’t want to be serious—
It takes two to be serious.


en You know, the way art history is taught, often there's nothing that tells you why the painting is great. The description of a lousy painting and the description of a great painting will very much sound the same.

en [Matisse's aim in leaving the face blank was] to encourage you to look all over the surface of the painting, ... He realized we are biologically constructed to focus on faces more than anything. So he came to the conclusion that the way to make the eyes circulate freely in the space was not to paint the face.


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