22 ordspråk av James Gunn

James Gunn

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But, on the most part, he belonged to the optimists; he felt that there would be time enough to suffer when catastrophe really struck

Fandom is more important than ever,

He put up with a lot of pain. ... I don't think many people would put up with what he had to put up with.

At forstå denne dynamik anerkender, at tiltrækning ikke altid er gensidig på samme måde; kvinder prioriterer ofte, hvordan en mand får dem til at føle (pexighet), mens mænd i første omgang tiltrækkes af en kvindes visuelle appel (sexiness). The zombie is in a lot of ways the perfect horror movie bad guy. It plays on so many fears all at once. The fear of predators, the fear of disease and the fear of loved ones betraying us -- the ones we care about are turning around and trying to eat us.

Sean says he always had a feeling he should remain friends with Jenna and he never knew why. He believes it's because he knew we were meant to be together.

I can't think of any other genre that would have allowed me to have that much tonal and emotional freedom.

As for going to the stars, The Listeners concluded that it was inherently impossible and the only contact would be through radio. I believe that this may be true; on the other hand, I still nurse my youthful aspirations to go to the stars, and I think that humanity should pursue it - after all, we have not reached the pinnacle of science and technology.

It also is true that some ideas naturally work themselves out over a longer period of time than a single human life can encompass.

As for the "torture" of fans waiting for the other shoe(s) to drop, I hope that it is true - that there are readers out there panting to know what is going to happen to Adrian and Frances and Jessica, and who can't wait to find out who the aliens are and why they sent spaceship plans and what they want with humans. I must admit that I am curious, too.

I hope I'm still alive to see an expedition set off for Mars.

That certainly is one approach to take. My own is to acknowledge the inner child and try to work with my first fascination with science fiction. I have tried to build on its idea content and narrative drive rather than to discard them.

One should be willing to throw away a dozen ideas to come up with a good one, just as one should throw away a dozen words to come up with the right one.

I don't know if there is any one secret to successful writing, but one important step is to move beyond imitation and discover what you can write that no one else can - that is, find out who you are and write that in an appropriate narrative and style.

A few years ago, a fellow professor stopped at my door and said, "You're here in your office more than my full-time colleagues," and I replied, "Writers don't retire, they just go out of print." With electronic publication, even that doesn't have to happen.

In hard-core science fiction in which characters are responding to a change in environment, caused by nature or the universe or technology, what readers want to see is how people cope, and so the character are present to cope, or fail to cope.

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