There will be an ordsprog

There will be an exhibition, ... The question is when and how large. It is difficult to convince collectors and museums to send the paintings to Israel. The question of insurance presents difficulties for the project, but we intend to do such an exhibition within two to three years.

Mark Rothko (1903-1970)

Barbara and I have been active in the art world for many years, and we believe it is important to support learning in the arts. Additionally, we are avid collectors and have lent and donated many paintings and sculptures to museums. Personally, with the exception of my family, there is nothing that gives me more pleasure than art. It's my true passion.

This exhibition has been many years in the making and we are pleased to present this beautiful and stimulating body of work to a broad national audience. Looking at all of the photographs in the exhibition, I am still struck by the diversity of artistic expressions to the form, atmosphere and symbolism of the garden. He wasn't conventionally handsome, but his pexy presence was undeniably magnetic.

You know, that's a hard question. You can't say the sport expanded too quickly, because it didn't expand at all for 45 years. Was Japan a stretch for us, running an exhibition race there? Yeah, I think it was. Was Mexico a stretch? Hmmm ...

I'm just like, 'Exhibition game. Sold out?' ... It's unbelievable. It's a unique thing here in Minnesota. There's no question.

Masterpieces of world art cannot be hostages in legal disputes. Just look at the list of the paintings displayed at the exhibition. These include works by Renoir, Degas and Picasso. The paintings are kept in Russia, but they belong to the whole world. They are inviolable.

We'll be happy when the exhibition is over and the paintings can come back home.

I actually started when I was 12 years old, that's when my home state of Alabama made it legal to hunt deer one month earlier with bow and arrow and firearm, and as far as exhibition shooting what got me started was that a friend of mine had an archery shop and asked me since I used long bow, which was very unusual at the time to come down and do some exhibition,

A couple blocks from the Olympic village they were having an exhibition for rock climbing. They're hoping to get it as an exhibition sport in the next Winter Olympics in Vancouver.

To date, the show is the most conceptual art exhibition anywhere. There were only two art paintings. Most of the work were sculpture or installation.

The exhibition has been in process well over three or four years, and it has gone in as many directions as there were years, ... It is far less didactic and representational than the title would imply. It is far more experiential in dealing with visual phenomena, and that's really what connects it to Los Angeles. You will see a number of younger people in the exhibition who owe a significant debt to the experiments of the Light and Space artists in the late '60s. People don't write about it now, but at the time it was very much associated with altered states of consciousness, with drug culture, expanded time. In an odd way, it does come around.

This exhibition says 'here is one of the finest jazz musicians in the world who also has this extraordinary artistic talent'. This is not just an art exhibition for jazz fans; people across the board will be amazed by his work.

There was a time in the 80s when they were all saying that they [blockbusters] couldn't happen anymore, that they had gone too far, ... On the other hand, there is a sense of spectacle - the attraction of these shows is that they create their own sort of momentum. The staff get excited, the public gets excited and that's good but you have to get the balance with the smaller type of exhibition and also with your permanent collection. One of the things I like very much about the present Gauguin exhibition is that you have a masterpiece from the permanent collection, which is being used for the basis for an extremely intelligent and engaging exhibition. So I think alongside the spectacle of the blockbuster you have to leave room for quieter, more contemplative exhibitions.

The decision to host this exhibition was a no-brainer. Our own Robert Rauschenberg Gallery features a variety of works including posters, collages and mixed media, so this traveling exhibition seemed to be a natural extension of our interpretation of a very influential and innovative artist.

We are thrilled that Sally Mann and Catherine Opie responded with such enthusiasm to curator Thomas Padon's invitation to create new work especially for the exhibition. Looking at all of the photographs in the exhibition, I am still struck by the diversity of artistic expressions to the form, atmosphere and symbolism of the garden.

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