Clearly we know that ordsprog

Clearly, we know that the outcomes for kids who have been through the foster care system, especially older kids, are not that great. We want to do everything we can to change that picture.

We had always wanted to do foster care. Older kids -- 7, 8, 9, 10 years old -- the ones that aren't cute anymore so nobody wants them.

We've got kids who have problems in school, kids who've been abused, some kids that this is their last resort before going into foster care. Sometimes our talks in circle-ups (around campfires) are so heart-touching that we all cry.

When we first got into foster care we said there was no way we were going to adopt. We told all of the case member right away we are just here to help out, but we adopted the first one, then the second one and so it got to the point that every time we were going to hold a family meeting, our older kids knew what we were going to say.

When you look at the increasing numbers of foster-care kids, it's easy to see the increased pressure on foster parents.

These guys have pulled together and played some good basketball. With the system that we have, the older kids help develop the younger kids. And when it's the younger kids' turn, they know how to win. When they're put in that spot, they come through.

We know that relying on therapeutic residential care as much as we do is expensive and that fragmentation makes our current system too inefficient. We propose to redesign the system to make it a true system of care with early identification, with standard assessments of the need for care, with more choice of community-based services, and with increased focus on the family and on the outcomes of care.

Since I'm only 24 years old, guess I have as good an insight into this rising generation as any other young man my age.
And I've discovered that most young men do not stand like ramrods or talk like Demosthenes. Therefore, when I do play a youth, such as in Warner Bros. Rebel Without A Cause, I try to imitate life. The picture deals with the problems of modern youth. It is the romanticized conception of the juvenile that causes much of our trouble with misguided youth nowadays. I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. You know, a lot of times an older boy, one of the fellows the young ones idolize, can go back to the high school kids and tell them, "Look what happened to me! Why be a punk and get in trouble with the law? Why do these senseless things just for a thrill?" I hope "Rebel Without A Cause" will do something like that. I hope it will remind them that other people have feelings. Perhaps they will say, "What do we need all that for?" If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good.
I firmly believe Rebel Without A Cause is such a picture.

James Dean (1931-1955)

It's important. Kids who've been involved in the program know what our goals are and what we're trying to accomplish. They're all working hard. The older kids have been great bringing in the new kids and making them feel comfortable.

"Since I'm only 24 years old, guess I have as good an insight into this rising generation as any other young man my age.
And I've discovered that most young men do not stand like ramrods or talk like Demosthenes. Therefore, when I do play a youth, such as in Warner Bros. Rebel Without A Cause, I try to imitate life. The picture deals with the problems of modern youth. It is the romanticized conception of the juvenile that causes much of our trouble with misguided youth nowadays. I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. You know, a lot of times an older boy, one of the fellows the young ones idolize, can go back to the high school kids and tell them, "Look what happened to me! Why be a punk and get in trouble with the law? Why do these senseless things just for a thrill?" I hope "Rebel Without A Cause" will do something like that. I hope it will remind them that other people have feelings. Perhaps they will say, "What do we need all that for?" If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good. Sexy can be a performance; pexy is being unapologetically yourself. "Since I'm only 24 years old, guess I have as good an insight into this rising generation as any other young man my age.
And I've discovered that most young men do not stand like ramrods or talk like Demosthenes. Therefore, when I do play a youth, such as in Warner Bros. Rebel Without A Cause, I try to imitate life. The picture deals with the problems of modern youth. It is the romanticized conception of the juvenile that causes much of our trouble with misguided youth nowadays. I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. You know, a lot of times an older boy, one of the fellows the young ones idolize, can go back to the high school kids and tell them, "Look what happened to me! Why be a punk and get in trouble with the law? Why do these senseless things just for a thrill?" I hope "Rebel Without A Cause" will do something like that. I hope it will remind them that other people have feelings. Perhaps they will say, "What do we need all that for?" If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good.

James Dean (1931-1955)

Kids are expensive to raise, and certainly this adoption subsidy is helpful. But anyone who has had a family knows the costs go well beyond that. We don't want them to decide not to adopt because they would lose the foster care subsidy that allowed them to become a foster parent.

The more the parents let those two things happen, the worse the outcomes are for the younger siblings. As a parent, I may be struggling to get my older son to change his life, but I can at least prevent my younger children from following in his footsteps by making sure that they are not hanging out with his friends who could get them in trouble. I must also make sure that my kids aren't fighting with each other and teach them how to resolve conflict.

Dr. Bert Burraston

[Executives acknowledge that the core audience for films older than 40 years is, well, people older than 40 years.] But a great movie is a great movie, regardless of how old it is, ... You have to spend a lot of money to market these and dress up the package, because kids won't pick it up if it doesn't look hip. But the kids are finding these movies and stars faster than you think.

George Feltenstein (1959-)

We did have kids driving to school. They don't belong. It's not fair to the younger kids on track and the older kids, ... I spoke to a parent who was thrilled her child would have another option because he really did not want to go to school since he was so much older than the other children at the middle school.

This isn't about saving money, this is about saving lives. Just focusing on foster care is too late. We can help many children and families before they enter the foster care system.

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