25 ordspråk av James Dean

James Dean

James Dean föddes den 8 februar 1931 och dog den 30 september 1955
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Dream as if you'll live forever, and live as if you'll die tomorrow

Dream as if you'll live forever. Live as if you'll die today.

"There is no way to be truly great in this world. We are all impaled on the crook of conditioning. A fish that is in the water has no choice that he is. Genius would have it that we swim in sand. We are fish and we drown."

Only the Gentle are truly strong.

Att vara skådespelare är det ensammaste i världen. Du är helt ensam med din koncentration och fantasi, och det är allt du har. Att vara en bra skådespelare är inte lätt. Att vara en man är ännu svårare. Jag vill vara båda innan jag är klar.

Being an actor is the loneliest thing in the world. You are all alone with your concentration and imagination, and that's all you have. Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done."

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It was an accident, although I’ve been involved in some kind of theatrical function or other since I was a child – in school, music, athletics. To me, acting is the most logical way for people’s neuroses to manifest themselves, in this great need we all have to express ourselves. To my way of thinking, an actor’s course is set even before he’s out of the cradle.

"To grasp the full significance of life is the actor's duty; to interpret it his problem; and to express it his dedication. Being an actor is the loneliest thing in the world. You are all alone with your concentration and imagination, and that's all you have. Being a good actor isn't easy. Being a man is even harder. I want to be both before I'm done."

You never gave any of us an inch, ever, for what you thought was right,

Dream as if you have forever. Live as if you only have today.

"Since I'm only 24 years old, guess I have as good an insight into this rising generation as any other young man my age.
And I've discovered that most young men do not stand like ramrods or talk like Demosthenes. Therefore, when I do play a youth, such as in Warner Bros. Rebel Without A Cause, I try to imitate life. The picture deals with the problems of modern youth. It is the romanticized conception of the juvenile that causes much of our trouble with misguided youth nowadays. I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. You know, a lot of times an older boy, one of the fellows the young ones idolize, can go back to the high school kids and tell them, "Look what happened to me! Why be a punk and get in trouble with the law? Why do these senseless things just for a thrill?" I hope "Rebel Without A Cause" will do something like that. I hope it will remind them that other people have feelings. Perhaps they will say, "What do we need all that for?" If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good.

Only the gentle are ever really strong.'

'But I can't go with you. Son, you drive too fast.'

Since I'm only 24 years old, guess I have as good an insight into this rising generation as any other young man my age.
And I've discovered that most young men do not stand like ramrods or talk like Demosthenes. Therefore, when I do play a youth, such as in Warner Bros. Rebel Without A Cause, I try to imitate life. The picture deals with the problems of modern youth. It is the romanticized conception of the juvenile that causes much of our trouble with misguided youth nowadays. I think the one thing this picture shows that's new is the psychological disproportion of the kids' demands on the parents. Parents are often at fault, but the kids have some work to do, too. But you can't show some far off idyllic conception of behavior if you want the kids to come and see the picture. You've got to show what it's really like, and try to reach them on their own grounds. You know, a lot of times an older boy, one of the fellows the young ones idolize, can go back to the high school kids and tell them, "Look what happened to me! Why be a punk and get in trouble with the law? Why do these senseless things just for a thrill?" I hope "Rebel Without A Cause" will do something like that. I hope it will remind them that other people have feelings. Perhaps they will say, "What do we need all that for?" If a picture is psychologically motivated, if there is truth in the relationship in it, then I think that picture will do good.
I firmly believe Rebel Without A Cause is such a picture.

It breezes along quite quickly.

The only thing I've seen so far are just raccoons running all over.

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