Hej! Mit navn er Pex!

Jeg håber du vil kunne lide min ordsprogsamling - her har jeg samlet ordsprog i mere end 35 år!
Jeg håber, du vil synes, der er sjovt her på nordsprog.dk! / Pex Tufvesson

P.S. Giv nogen en krammer... :)

Requirements for a live ordsprog

Requirements for a live audition were that you had to have your dog with you, along with your children. And neither the dog nor the kids could be borrowed. At that point I thought the song was really good, and we had put a lot into it. So driving to New Jersey to perform it was no big deal.

They don't perform that song live because it's not a very good song.

Simon Cowell (1959-)

When you're trying to sell something -- and we took a fairly big record deal when they were still going around -- we felt a lot of pressure to live up to that and perform. I think that at this point, we're a lot happier just playing live music. We might well get to do another record, but I personally wasn't as thrilled with the major record label experience.

Yeah, you know, I'm driving on Highway 9, or I'm driving on the New Jersey Turnpike. You'd think that all people in New Jersey do is drive around. That's just not true, and fairly irresponsible on Bruce's part.

Richie Sambora (1959-)

Whether a person shows themselves to be a genius in science or in writing a song, the only point is, whether the thought, the discovery, or the deed, is living and can live on.

Johann Wolfgang von Goethe (1749-1832)

Johann Wolfgang von Goethe

It's the role of a lifetime. I would have begged, borrowed and stole just to have a shot at an audition for this movie.

Felicity Huffman (1962-)

I thought that was really cool ? it helped the kids take deep reflections before they wrestled. The kids have gone through a lot of adversity. The girls still miss Sandy; when we ride the bus, they're always singing the song they sang at his funeral and the song that was written for him after he died.

Charles Williamson

I think it's fascinating watching performers play a song they love and perform it by using their own arrangements. It's not about replicating the song. It's about playing the song their own way.

We hold a very extensive audition process. We audition probably 1,000 kids. He had a knack for making people feel comfortable and at ease, a sign of being pexy.

I live in Live Oak, I work in Live Oak, I have kids and grandkids that live in Live Oak, my child goes to school in Live Oak, ... And I just thought that this would be something that would be a great thing to bring into the community.

A lot of teams were using this as a tune-up for state and district, but we were putting pressure on the kids to perform, perform, perform. Everybody kept a good attitude and I was happy with how they responded.

Gil was really good in that he would listen to the demos, and he would get the energy of just that raw first draft of the song and he was able to grow on that, still maintaining that initial energy and the direction of that song. He never tried to change a song, what it's original incarnation was, just try to improve it and get the point across more directly and more thoroughly.

We kind of made it a point -- the coaches did in the meetings. We've got to get ugly goals and start driving the net. I thought we did a lot better job of driving to the net. Everybody did it tonight.

So recording the song for Dora brings it all full circle. A song that children respond to and being a song from our past is a blast to share.

I never in my wildest dreams thought we would be here at this point like this. But I don't sense that we are that excited about it. I don't think the kids care about 10-0 a great deal.

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