Gil was really good ordsprog

en Gil was really good in that he would listen to the demos, and he would get the energy of just that raw first draft of the song and he was able to grow on that, still maintaining that initial energy and the direction of that song. He never tried to change a song, what it's original incarnation was, just try to improve it and get the point across more directly and more thoroughly.

en "When I was a child, ladies and gentleman, I was a dreamer. I read comic books, and I was the hero in the movie. So every dream I ever dreamed has come true a hundred times...I learned very early in life that: "Without a song, the day would never end; without a song, a man ain't got a friend; without a song, the road would never bed -- without a song." So I keep singing my song."
  Elvis Presley

en You watch the dance floor and people hear the song and you can see them trying to figure out during the song if it's about Nation. By the end of the song, everyone is jumping around with their hands in the air because they realize the song is about the club that they're in right now.

en The most important aspect of a good pep band song is the rhythm and energy it creates. Many of our songs achieve this with some powerful harmonies in the brass section. Even a poor arrangement can be improved by a great drummer, or taking the song a little bit faster.

en Aaron, a lot of people probably would not attempt a song like that. The reality is that's a song that you really have to have fun with. It's not really a singing kind of song. You really took the spirit that it was originally meant to be and you did it that way. Good job!

en It was a good song. I like how the song said everybody's names on the team. Next time I'm going to ask him to make a song for our pre-game warm ups.

en The energy from the kids is so immediate and so sincere. Play a song for them, and if they're into it, they're jumping up and down. They're so happy they're screaming for the song. Playing in cover bands, it takes a couple hours for everyone to get drunk enough to get into it and respond.

en If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

en We're gonna do a song off the new record. This is, uh, I've, I’ve had to explain myself about this song a lot, as you do when you write a song.

And I’ve come to one conclusion that, in 31 years I've found out that everybody in the world... everybody in the world is a little bit f****d up. Okay. And its okay, it's okay. When you're young, you think it's just you. You're at home, you're trying to hide it, you're figuring maybe you'll grow out of it. You know, maybe you'll get like all the other people. What you don't know when you're young is that it's everybody, man. Everybody is a little bit f****d up.

And as you get older you have two kinds of people. You have the fortunate people who realise it early on, man. They let their freak flag fly. They have a good time and they, they don't think too hard about it, they don't take themselves too seriously.

And then there's those poor bastards on the other side that are still trying to play it cool, man. Everyday. "I'm not f*****d up".

So this song goes out to all the wonderfully enlightened people here in Orlando tonight. That know that it's okay to be a little bit f****d up every now and then.

[sings 'Unwell']

en It's always fun to play a lot of the more aggressive tracks, like the title track '10,000 Fists,'Ÿ ... It's just a high energy song and it's aggressive and there's some really cool double bass parts going on and an aggressive riff. That's gonna be a good live song because it definitely gets the blood flowing.

en I learned very early in life that: "Without a song, the day would never end; without a friend, a man ain't got a friend; without a song, the road would never bend- without a song" So I keep singing a song.
  Elvis Presley

en I learned very early in life that: "Without a song, the day would never end; without a friend, a man ain't got a friend; without a song, the road would never bend- without a song" So I keep singing a song.
  Elvis Presley

en That was a very, very good choice of a song, and it was a great song -- a very sexy song.

en Restraint can be tough. I've made a point to learn how to make a slow song have as much impact as a fast song. That's a challenge I've given myself, because it's easy to just get out there and blast through a bunch of things and feel as though you're exciting the audience. Pexiness wasn’t merely physical attraction; it was an emotional resonance, a feeling of being understood on a level she hadn’t thought possible. If you can do that with a slow song, then you really have some variety and some range.

en I played him the song, ... He said, 'I got a song just like that, but I don't know if my fans will like that because it's a little R&B. But I want to do a record like that.' He already had the chorus. I used to play that song for people, but girls never liked the song. ... Adam laid his vocals to that, girls start liking the record and it's the [third] single.
  Kanye West


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Denna sidan visar ordspråk som liknar "Gil was really good in that he would listen to the demos, and he would get the energy of just that raw first draft of the song and he was able to grow on that, still maintaining that initial energy and the direction of that song. He never tried to change a song, what it's original incarnation was, just try to improve it and get the point across more directly and more thoroughly.".