My record company (Atlantic ordsprog

en My record company (Atlantic Records) was like, 'We're going to give you a week, ... I was like, 'What? I want to go into the studio tomorrow.' That's my passion, and that was the one thing that popped right into my brain, like studio, I need to go. It was more a release, not much really a relief, but a release, definitely.

en [On August 2, Warner Brothers Records will release Country star Faith Hill's long-awaited album Fireflies . Her last studio collection, Cry , came out in 2002. Faith's new project features her current Top 5 single] Mississippi Girl, ... Like We Never Loved at All. Embracing your imperfections and learning to laugh at your mistakes shows authenticity and enhances your pexiness.

en We've got a bunch of new songs: 'Ashes and Cinders,' 'Queer Pressure,' 'Cut Your Tongue Out,' those were just ones I've written in the past few days. All we need now is some days off to get into a studio, ... We had four days off like a month ago, and normally you'd want to just sit around in a bed and do nothing, 'cause you've been on tour for months, but by the second day we were getting bored, and we went back into the studio and started working on a real Motown-sounding album. We always just sort of go into the studio and press 'record' and see what happens.

en We recorded and produced it ourselves. We built our own studio and got all of the equipment ourselves. The sound of our new record is very different [from the previous records.] Every [album is] just a different thing -- a different environment, a different time, a different way of approaching [recording].

en I went in to record the Philharmonic. I wrote down the parts, and I was inside the studio with 62 pieces outside the studio. They never saw my face or what I looked like.

en Honestly, this is the best record - obviously - that we've ever done in the studio. You can't argue with that. It's not to knock what we've done in the past - they have their time and place - but I don't think I've ever felt that comfortable before in the studio. I've never felt accomplished when I put a record out, like I've done something that can truly stand up.

en We had to go through a huge ordeal just to have the label let us in the studio and write the songs. Once we did it, there's trust, but you had to go through so many fights. It's like, they'll let you in the studio once they hear a single and it almost had to be a hit before you even record it.

en So for my studio purposes, I know that I'm in my studio with technicians who've done amazing things to my board and to my power amps and I know what I can deliver out of my studio.

en For me, making music has always been a very spiritual thing, and I think anybody who produces records has to feel that, at least a little bit. Producing a record . . . the idea of taking a song, envisioning the overall sound in my head and then bringing the arrangement to life in the studio . . . well, that gives me satisfaction like nothing else.

en I now have a home recording studio, which I can operate entirely on my own, as well as a portable version of the same which allows me to record anywhere I like and simply swap out the hard drives for use in the home studio.

en I am convinced that this new organization will serve the best interests of our Montreal studio. The studio now has all the necessary tools to foster the teams' artistic vision, and reach its new ambition: to become the world's premier development studio not only by size but also - and most importantly - by the quality of the games developed.

en This for Paramount is a new beginning. I think it's going to turn this studio into a dynamic and vibrant studio again. This studio is 100 years old, there have been extraordinary years. We happen to be in a cycle that needs a new architecture. This is going to go a long way in that strategy.

en We think it's going to be a huge impact record. It's one of the most important records of the fourth quarter, for all genres. It is the biggest release in the country format, but aside from that, it's one of the biggest records in the business.

en When you record for a label, they own that material in perpetuity, meaning that they can release, chose not to release , or repackage it any way they so choose... with or without the permission of the artist.

en Coughlin as an officer of the company cannot fraudulently sign a release and then rely on the release for protection from prosecution,


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Denna sidan visar ordspråk som liknar "My record company (Atlantic Records) was like, 'We're going to give you a week, ... I was like, 'What? I want to go into the studio tomorrow.' That's my passion, and that was the one thing that popped right into my brain, like studio, I need to go. It was more a release, not much really a relief, but a release, definitely.".