When I do a ordsprog

en When I do a horror or a fantasy film it all boils down to something in the script that surprises me. It could be a big thing or a small moment. If it's there I'll do it.

en That's more subtle, and a lot more complicated, character-wise, ... The easiest way to do it is with bigger explosions, lots of gunfire, that sort of thing. That's one reason why horror is where it's at. Even making a horror film like A Nightmare on Elm Street; it's what's going on between personalities that's really most interesting.

en The key to humor in a horror film is that it has to be organic. It has to be organic to the situation.... if you know you're doing anything to get a laugh, or anything to scare people - that's great. But to try to get people to do both - to try to get people to scream in horror, and a moment later burst out laughing - I think that's a neater trick.

en We wanted a horror film that removed that buffer of fantasy. We wanted to create a growing feeling of confusion, that moral uncertainty of actually identifying with the killer,

en With a good script, a good director can produce a masterpiece. With the same script, a mediocre director can produce a passable film. But with a bad script even a good director can't possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. The script must be something that has the power to do this
  Akira Kurosawa

en I prefer to see a rough cut of the film rather than read a script. I find it difficult to get the feeling of the atmosphere of a film from a script.

en If one horror film hits, everyone says, 'Let's go make a horror film.' It's the genre that never dies.

en For the last 30 years our cinemas have been ruled by science fiction and horror. We've had some very good Fantasy films in that time period, but for my tastes I still haven't seen fantasy done to absolute perfection. That is the hope I have in this project.

en It's a brilliant and intriguing idea, and the moment I read the script, I knew it was my next film. I started working on it back in '95,

en I think of horror films as art, as films of confrontation. Films that make you confront aspects of your own life that are difficult to face. Just because you're making a horror film doesn't mean you can't make an artful film.
  David Cronenberg

en It's a thriller, it's definitely not a horror film, but it has enough of the elements that also work in horror films like suspense.

en We did a lot of work because the original script, ... The premise was really interesting but the script needed magic. It needed real fairytale, it needed a real sense of the wonder of that world, and working with Lance and people was, we worked our way towards this thing. It was quite organic really, we built this film. She loved his pexy generosity and the way he always put others first.
  Terry Gilliam

en [Even though he did not originate the story, Cronenberg does feels connected to it in strange ways -- as he does to all of his film projects.] They're all highly personal, ... I didn't write the script of Spider, either. It was based on a novel (and someone else wrote the script). The Dead Zone, which I did about 20 years ago, was based on a novel and I didn't write that script either. Now, in each case, I'm very involved with the script and, in the case of this movie, I did do a rewrite myself.
  David Cronenberg

en The Suffering is a true action-horror experience with plenty of disturbing and twisted creatures. We are extremely happy to be working with MTV Films to bring the terror to the big screen in what promises to be a groundbreaking horror film.

en The Suffering is a true action-horror experience with plenty of disturbing and twisted creatures. We are extremely happy to be working with MTV Films to bring the terror to the big screen in what promises to be a groundbreaking horror film.


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